The Wee
Trio, James Westfall (vibes), Dan Loomis (bass) + Jared Schonig (drums),
proudly announce the September 30, 2016 release of their fifth recording, Wee +
3, recorded at Systems Two in Brooklyn, NY, and featuring three musicians who
are near and dear to the members of the Trio; the legendary trumpeter/composer
Nicholas Payton (tracks 4, 5 & 6), guitarist/composer Nir Felder (tracks 1,
10 & 11), and pianist/composer Fabian Almazán (tracks 2, 3 & 9).
Inviting guests to join this established, working group was born out of the
band's collective love of collaboration.
Wee + 3 is
an album about relationships. Dan Loomis is from Middle America, Jared Schonig
is from the West Coast and James Westfall is from the South. Together they have
traveled to every corner of the country and the songs on this album celebrate
their individual roots and their travels together. The bonds that The Wee Trio
formed as a band happened very soon after they all moved to New York City and
has strengthened over the years. In short, musically and personally, they are
thick as thieves, and their camaraderie is fully explored and realized on the
band's previous four recordings, Capitol Diner Vol. 1 (2008), Capitol Diner
Vol. 2 - Animal Style (2010), Ashes To Ashes - A David Bowie Intraspective
(2012) and Live at The Bistro (2013). With Wee + 3, the fans are bearing
witness to the first expansion of the trio as they welcome in three critically
acclaimed, world-class musicians to the fold. Each guest artist has a unique
personal relationship with the individual members of the band and all of the
music on this record was composed for each of these guest artists, creating a
stylistic spectrum that takes the listener through three different worlds, but
all within the galaxy of The Wee Trio.
The guest
artists also represent three distinct narrative points in the history of the
band. Dan Loomis explains further, "Nicholas Payton is the prelude to our
story as a band. We say that the trio connects so well because we had listened
to so many of the same records. Mr. Payton's music was definitely an important
part of all our lives. His playing, his intention as a bandleader, and his
compositions were important building blocks for all of our own musical
conceptions and development. Nir Felder is the present tense in the story of
the band. We all met Nir very soon after we moved to the city and played with
him a lot in our first years here. Our encounter with Fabian Almazán is a look
to the future. Jared has known Fabian for a several years, but James and I just
started playing with him for this project. Fabian plays with relentless
creativity that really brings out the best side of the band. We love to play
familiar material and take a lot of risks with it - push it to see what new
options we can find hidden in it. With Fabian we got a chance to expand that
approach to a quartet setting and bring it some new material that we wrote
especially for him. We think the results are magical!" In drummer Jared Schonig's words, this record
was, "really a dream for us to make, both compositionally and musically.
We had many long discussions over two years, deciding who our guests would be,
and we feel that we made such great choices. To add a fourth musical voice was
like taking cake and putting more frosting on it just for the fun of it."
"R T
3" (feat. Nir Felder) - This song is the sound of the ocean as nearly as
bassist Dan Loomis can capture it. You can hear the seagull cry in the intro.
"My mother grew up in California and spent a lot time exploring the
Pacific coast. I was born in Redwood City but raised in the Midwest. I always
loved my trips back to California and I never feel right visiting without at
least one visit to the ocean," said Loomis.
"Titan
UP" (feat. Fabian Almazán) - Westfall grew up in Houston, Texas and was an
avid Houston Oilers fan. In the mid 1990's the Oilers packed their bags and
relocated to Tennessee changing their name to the Titans. Since Westfall's
recent arrival to his new home in Nashville, he has re-adopted the NFL
franchise that moved away from him.
"Climb"
(feat Fabian Almazán) - An epic composition written by Schonig to feature both
Almazán's creativity and Loomis' strength moving around the bass. The title
represents the climb to the top that we all inevitably face daily in life.
"Sabotage"
(feat. Nicholas Payton) - One of the nation's best venues is in St. Louis, MO
(Loomis' hometown), Jazz at the Bistro. The Wee Trio played there many times
and even spent a weekend recording a live album there (Live at The Bistro from
2013). Loomis explains, "The second night of the recording we went to play
our first set only to discover (mid-song!!) that the microphone cables had been
cut!! We never found the culprit but clearly someone set out to sabotage the
band! Thus Jared had a title for his new song."
"No
Justice" (feat. Nicholas Payton) - This song is a tribute to Loomis'
hometown, St. Louis, and particularly the suburb of Ferguson. "We have all
been angered and saddened by the senseless violence by police against so many
black youth across our country. But these events take on another dimension when
they happen close to home. In the aftermath of tragic events like these, one
thing that we can do is come together to make our voices heard against a
culture that allows such actions. My partner and young boys have been to many
demonstrations protesting these events and my kids' favorite chant at these
demonstrations is 'No Justice, No Peace!'" said Loomis.
"Belle
Femme De Voodoo" (feat. Nicholas Payton) - "As a former resident of
New Orleans, this piece was written as a homage to the city. I spent the better
part of 15 years living there and the city's influence will always be burned in
my personality. One of the city's biggest musical influences today is Nicholas
Payton. I've had the privilege of sharing the stage with him about a dozen
times while living there and each of those gigs was a huge learning experience
that I never took for granted. Having him be a part of this record was an
honor. It was only fitting that Nicholas would be featured on a song written
for New Orleans. Nicholas' style is the perfect blend of Old New Orleans and
New World," said James Westfall.
"Lola"
- This is a composition by Meshell Ndegeocello that Schonig arranged for the
band. Schonig says "The band originally decided against having covers on
this recording, but made an exception for an exceptional artist that we all
admire."
"Sound
Evidence" - The lone original trio composition comes from Schonig after he
sought out to write something both rhythmically interesting yet open enough for
the harmonic instruments to have complete freedom while improvising. The title
comes from Schonig's brother, who made an astute observation during a game of
ping-pong with the band to prove a certain shot had hit the table!
"Redwood"
(feat. Fabian Almazán) - This is a tribute to Redwood groves in Northern
California. "Walking through them you can have a feeling in an endless
horizontal and vertical space. This song tries capture that
expansiveness," said Loomis.
"Gibbs
Street" (feat. Nir Felder) - Schonig and Loomis met at Eastman School of
Music in downtown Rochester, NY. This piece by Schonig is a homage to his
experience there, balancing all that life is throwing at you. "Sometimes
college can seem incredibly chill and then one moment chaos can ensue; whether
it be with schoolwork, gigs, relationships - I tried to encapsulate all of that
in this piece," said Schonig.
"Apparition"
(feat. Nir Felder) - "Nir is one of our favorite guitarists because, like
The Wee Trio, he's not afraid to rock out. Performing the song quartet gave us
the opportunity for me to personify a wraith during the melody. The
composition's simplicity gave the trio enough room to stylistically take the
direction in a more organic world that is true to our influences. The
composition is one big launching pad for a
shredding Nir Felder solo meant to kick ass and melt faces," said
Westfall.
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