Mather de Andrade was enamored by Brazilian music at a young age, and her affinity rose to the next level when she met and married a Brazilian man in 2011. Desiring to immerse herself in the culture, the classically trained clarinetist and saxophonist began learning songs in Portuguese in order to learn the language. She started playing choros, classic instrumental Brazilian pop music dating back a century ago, finding that the style suits the clarinet. To celebrate the 2016 Rio Olympic athletes, Mather de Andrade performed a handful of tunes live on the West Point Band Facebook page. The enthusiastic response even garnered coverage from the Brazilian media. The seeds were planted and have blossomed into “Clarão,” which means “flash of light.” Teaming with producer Sergio Krakowski helped bring this passion project together.
“I wanted to show the diversity of Brazil in the music selections on this album. I learned so much from the music producer, Sergio Krakowski, who really helped me dig deeper into the styles that I was already familiar with and find some music that was really interesting and would flatter the band. I wanted to showcase music beyond Bossa Nova and bring attention to some amazing styles and composers that I have found so inspiring,” said Mather de Andrade, a Youngstown, Ohio native now based just outside of New York City.
With Krakowski’s assistance, Mather de Andrade gathered several Brazilian musicians to accompany her and selected the repertoire. Half of “Clarão” is comprised of instrumental covers, three of which are performed big band-style and were made famous by Brazilian clarinetists. The album includes four original songs penned by Brazilian singer-songwriter Roque Ferriera, tunes that showcase Mather de Andrade’s silken, yearnful voice singing sublimely in Portuguese. Krakaowski relied upon genuine Brazilian instrumentation from Vitor Gonçalves (accordion), Cesar Garabini (violão) and Eduardo Belo (bass) while playing pandeiro himself. A lively four-piece horn section adds luster to the ten-track album brimful of exuberance, lush harmonies and masterful musicianship.
The recording process began two summers ago with Mather de Andrade recording live with the horns and rhythm section. She recorded her vocals just prior to the coronavirus quarantine, which delayed the project’s completion and forced some additional accordion and pandeiro tracks to be added remotely. Mather de Andrade describes “Clarão” as a multicultural offering.
“What I like about the album is the uniquely ‘New York’ experience: the horns are all American, the rhythm section is all Brazilian, and the arrangers are American and Brazilian. We had a French guitarist - the studio owner was Italian - there were a ton of languages flying around the sessions. It was a great combination of talents to create a sound that I have come away thinking is just as much ‘New York’ as it is Brazilian,” said Mather de Andrade of the global music record quilted together from swatches of Brazilian music, jazz and classical.
Preceding the album release, an animated video for the song “Guelê Guelê” created by the record’s bassist, Belo, will be released on June 25. The tune is one of the originals composed by Ferriera. Mather de Andrade said, “Roque Ferreira is a major composer from the North East of Brazil in the style of Bahian Samba. His style is very evocative and creates vivid imagery, which lent itself to an animated video treatment.”
To launch the album, Mather de Andrade will perform selections from “Clarão” on August 8 at 6pm ET accompanied by several of the musicians who performed on the album during a special livestream event broadcast from Studio 42 Brooklyn using Stretto.live, a new interactive visual platform that enables audiences to work together to control certain aspects of a performance in real time and provide the performer with visual feedback they can see and react to while performing.
Mather de Andrade has been with the West Point Band since 2007. She also plays with, co-founded and serves as artistic director for the New York City-area ensemble Vent Nouveau, which performs and records music for woodwinds and brass, as well as the mixed instrument group Quintette 7. Mather de Andrade has performed at such prestigious venues as Carnegie Hall, Avery Fisher Hall and The Kennedy Center. Equally important to the artist, she uses music to unify and breakdown barriers culminating in performances in countless schools, veterans’ homes, and three prisons. Mather de Andrade has taught master classes and professional clinics at universities and conservatories, and presently serves on staff at Manhatanville College. For more information, please visit https://kristenmather.com.
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