In a short time, Le Coq has assembled a family of stellar musicians who converge in myriad combinations on The Le Coq Jazz All Stars, exploring a wide variety of styles and approaches. The names are well known, and some have crossed paths briefly during the course of their notable careers, but these recordings surprisingly mark the first time that many of them have worked extensively together.
The results are a rare treat for modern jazz aficionados, especially given the versatility and range of the well-known musicians who comprise the album’s line-up: keyboardists Bill Cunliffe and John Beasley; bassists John Patitucci and Chris Colangelo; drummers Vinnie Colaiuta, Marvin “Smitty” Smith and Joe LaBarbera; percussionist Alex Acuña; trumpeters Terell Stafford and Wayne Bergeron; saxophonists Rick Margitza and Ralph Moore; guitarist Jake Langley and vocalist Andy James, among others.
“Touring around the world as a Flamenco dancer, I got to know and perform with so many great jazz artists,” explains founder Piero Pata. “So when we started Le Coq, I focused on gathering together these incredible musicians. This album is a way to introduce the label through the vision of these artists who audiences know and who have been pushing the music forward for a lifetime.”
The material on this initial release ranges from absorbing original tunes to reinterpreted classics like “Caravan” and “Afro Blue.” It’s a cohesive single album that nonetheless showcases the stunning artistic breadth and impeccable musicianship for which the label strives.
“The album came together rather organically,” says Cunliffe, who has taken on a role akin to that of a house arranger at the label and who served as an informal music director for the Le Coq Jazz All Stars. “I’m very fortunate to have a producer in Piero who is also an artist himself. He’s all about the music, which is a quality that he shares with all the great jazz producers. As an artist, Piero knows good from bad and he gives me the freedom to do what I need to do. No one can ask for a better producer than that.”
An Italian-Australian native, Pata forged his ear for honest jazz through a lifetime in music and the performing arts. He began studying piano at the age of four under the mentorship of Isador Goodman, pianist for the world-renowned violinist Yehudi Menuhin. Pata also sang in the youth chorus at the famed Sydney Opera. He went on to become a gifted ballet dancer and solidified his technique with Ballet St. Petersburg’s Borris Romanoff and Company, later moving on to The Australian Ballet and touring with many of the world’s top companies and performers. Pata started his producing career in Spain, germinating out of live performances with great Flamenco players and dancers.
While the Jazz All Stars seems like a once in a lifetime congregation of modern jazz greats, it also hints at future releases by many of these artists in Le Coq’s not-too-distant future. Already in the pipeline for the early months of 2021 are new releases from Andy James, Rick Margitza, and a new trio bringing together Cunliffe, John Patitucci and Vinnie Colaiuta, with many more to follow.
Ushered in by Acuña’s always-captivating percussion, the album opens with John Beasley’s “Theme for FLOTUS.” Dedicated to former First Lady and jazz fan Michelle Obama, the piece was written as the closing theme for “Jazz at the White House,” the televised all-star performance held on International Jazz Day in 2016. Cunliffe provided the insistent big band chart “Tu Wero Niu,” an ode to resilience named after a Maori expression meaning “the ultimate challenge” and written following a turbulent flight to New Zealand.
A veteran of the Joey DeFrancesco Trio, guitarist Jake Langley brings a classic soul-jazz vibe to “Log Jammin’,” a simmering groove with Beasley on Fender Rhodes that conjures the spirit of a smoky old-school bar with a raucous jazz combo in the corner. Cunliffe’s deft hand at arranging is spotlighted on his own “There You Go,” a rich, celebratory tune that weaves nine players into an orchestral magnitude. The ensemble then pares down to the duo of Patitucci and Acuña, who engage in a lively dialogue via Mongo Santamaria’s timeless “Afro Blue.”
Vocalist Andy James makes a guest appearance on another familiar classic, Duke Ellington’s oft-reprised “Caravan.” Cunliffe’s arrangement is an energetic modern reimagining, a tantalizing glimpse at what’s to come in James’ upcoming release Tu Amor. More Ellington follows with Cunliffe’s big band arrangement of the percolating “Rockin’ in Rhythm.” Finally, Margitza’s breathy, soulful tenor takes the lead on a wistful quintet version of the Al Jolson standard “Avalon,” closing the album on a note of yearning – perhaps for more of what these brilliant musicians have in store.
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