Each album contains a newly discovered unreleased bonus track. The first eight titles in the series – Dreamstreet, Closeup in Swing, One World Concert, A New Kind of Love, A Night at the Movies, Campus Concert, That’s My Kick, Up in Erroll’s Room – were released to critical acclaim.
The master tapes for all 12 albums in the series were transferred and restored using the Plangent playback system. Employing a wideband tape head, preamp and DSP package to capture and track the original recorder’s ultrasonic bias remnant, the Plangent Process removes the wow and flutter and FM/IM distortion from the recorded audio. This returns the listener to the original session experience, bringing to life Garner’s incomparable performances of his own compositions, as well as classic works from the jazz canon.
Album Notes:
Recorded at the tail end of 1969 with a cast of new collaborators, this album is a prime showcase of Erroll Garner’s two greatest strengths: his ability to completely reinvent well known songs, and his endlessly creative facility as a composer of original music. From his sultry “The Loving Touch” to the Afrofuturistic “Mood Island,” Garner’s originality again proves boundless.
Gemini | April 17
A more fitting title for this album does not exist. It is yet another example of just how well Erroll Garner knew and understood himself and his music. Perhaps his greatest talent was an ability to distill and communicate precisely who he was at any given moment. Here we find him perfectly embodying the definition of his sun sign. Whatever your views on astrology might be, all that is left to do is listen.
The selections Garner committed to tape in the fall of 1973 include what may be some of his best original compositions, alongside a series of timeless contemporary takes on American Songbook classics. Though it would turn out to be the final studio album of his life, it makes clear that Garner was continuing to innovate on his distinctly individualistic style, and surely would have for decades to come.
Gershwin & Kern | June 12
In his original 1976 liner notes, concert impresario George Wein concluded fittingly, “To put it simply, Erroll Garner is a great musical genius.” On this final album released during Garner’s life, he shows yet again his complete mastery of his instrument and his unmatched ability to interpret songs and make them his own. This newly restored album includes a previously unreleased Garner original, worthy of the two composers to which this album is dedicated.
One of the most prolific composers and performers in the history of jazz, as well as a courageous advocate for African American artistic freedom through the ownership and control over his own works. Garner is a legend among jazz pianists. His unique approach melds bebop and swing influences into a unique, unrivaled mastery.
Garner is also a notable figure in popular music history for the hard-won precedents he set for artistic freedom that still stand today. In 1959, because he had rights of approval on what was released, Garner successfully sued Columbia Records to remove an album they had released without his permission.
His victory was the first of its kind for any American artist in the music industry. Garner and his manager, Martha Glaser, subsequently founded and launched Octave Records, whose 12 releases make up the Octave Remastered Series.
Erroll Garner was a rare musician who was equally adored and respected by peers and devoted fans alike. He and his art were best summed up by the late trumpeter Clark Terry: “The man was complete. He could do it all.”
One of the most prolific composers and performers in the history of jazz, as well as a courageous advocate for African-American empowerment and artistic freedom, Garner is a legend among jazz pianists. His unique approach melds bebop and swing influences into a unique, unrivaled mastery.
In addition to his brilliant keyboard artistry, Garner is also a notable figure in popular music history for the hard-won precedents he set for artistic freedom that still stand today. In 1959, because he had rights of approval on what was released, Garner successfully sued Columbia Records to remove an album they had released without his permission.
His victory was the first of its kind for any American artist in the music industry. Garner and his manager, Martha Glaser, subsequently founded and launched Octave Records, whose 12 releases make up the Octave Remastered Series.
Erroll Garner was a rare musician who was equally adored and respected by peers and devoted fans alike. He and his art were best summed up by the late trumpeter Clark Terry: “The man was complete. He could do it all.”
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