The deluge
of political divisiveness, horrific violence and hateful rhetoric that seem to
have polluted our lives on a daily basis over the last few years have left many
people across the country and around the world feeling angry, frustrated and
hopeless. It would be more than understandable if that feeling was even more
intense for Jimmy Greene, for whom the flood of outrageous headlines and social
media missives play out against the backdrop of personal tragedy.
Greene
refuses to succumb to the negativity, however. On his heartfelt new album,
While Looking Up, the saxophonist was guided by the inspirational words of his
pastor: “If I’m not able to find strength or peace by looking inward,” he said,
“or if I’m not able to do it by looking outward to my immediate surroundings, I
have to look upward.”
On While
Looking Up, due out April 3 via Mack Avenue Records, Greene finds solace,
support and inspiration from each of these directions, but in particular from
casting his gaze heavenward. Looking inward, he’s comforted by his faith and by
the gift for moving, expressive composition that has marked his work for the
last two decades. Looking outward, he has his family and his brilliant
collaborators, culled for this project from a list of longtime favorites who
haven’t entered the studio together in at least a decade. And while looking up,
he recalls the joyful spirit of his daughter, Ana Márquez-Greene, who
tragically lost her life in 2012, along with 25 other students and educators at
Sandy Hook Elementary School in Newtown, Connecticut.
“The whole
idea of While Looking Up is indicative of the times we’re in now,” Greene said.
“I can think about my personal journey through our family’s tragedy, and I can
also look outside of myself and see the state we’re in, constantly bombarded
with the chaos that’s become normalized in our society and our country. In both
instances, it’s easy to walk away feeling disillusioned and, in many ways,
hopeless. But I’m always reminded to look upward.”
Having
released two acclaimed volumes celebrating Ana’s life and spirit – the
GRAMMY®-nominated Beautiful Life (Mack Avenue Records, 2014) and Flowers:
Beautiful Life, Volume 2 (Mack Avenue Records, 2017) – Greene sought a change
of pace, recalling his landmark 2009 release, Mission Statement. “That album
was a turning point for me,” he recalled. “It was the first time that I really
felt like all of the material was exactly what I wanted it to be. I wanted to
have a group that could deliver something similar and was also reminded of a
lot of musicians who I’ve played with over the years but haven’t recorded with
in some time.”
Photo
Credit: Anna Webber
From Mission
Statement, Greene reunited with guitarist Lage Lund, bassist Reuben Rogers and
vibraphonist Stefon Harris. For the remainder of the ensemble he reached back
even further: drummer Kendrick Scott last joined the saxophonist on 2008’s The
Overcomer’s Suite, while pianist Aaron Goldberg returns after appearing on
Greene’s debut album more than 20 years ago.
“Obviously a
lot has happened over the last ten years in my life and in our world,” Greene
said. “We’ve all grown and matured musically, and in all cases developed as
bandleaders, too. So, I wanted to get everybody together and see what
happened.”
The result
is a snapshot of personal and musical growth for each of the musicians,
individually, and of the group as a whole. Greene’s music reaches new heights
of personal expression and depth of feeling, while the ensemble finds a
stunning chemistry and profound collective empathy.
The fact
that three of the pieces on While Looking Up are adapted from an original
orchestral suite is indicative of the expanded palette with which Greene imbues
his compositional voice these days. He employs the members of the group in a
variety of combinations throughout the album, from a spare, pared-down
chord-less trio to a vibrant sextet.
The core
group for the bulk of the tracks is a quintet sans Harris. That’s the unit that
opens the album on the Cole Porter classic “So In Love,” which features
Greene’s sinuous soprano wringing exquisite feeling from one of his favorite
melodies, propelled by a groove inspired in part by one of the saxophonist’s
earliest employers, legendary pianist Horace Silver. Greene switches to tenor,
and Goldberg to Rhodes, for the ethereal blues “No Words,” which walks a
haunting tightrope between the stark and the soulful.
Later
in the set, “Overreaction” unleashes the quintet with simmering, muscular
momentum. Goldberg defines the gentle ostinato at the heart of “Steadfast,”
which fuels lyrical turns from Greene’s soprano and Lund’s intricate string
work. The melancholy yet hopeful title tune captures the theme of struggle and
optimism underlying the album in its purest form.
The final
quintet piece is the most unexpected: a cover of the smash Whitney Houston hit
“I Wanna Dance With Somebody (Who Loves Me),” reimagined from an upbeat pop
number to a bittersweet ballad. The transformation was inspired by reflecting
on the less-than-cheerful lyrics through the lens of Houston’s own tragic life
and sad fate.
Harris adds
dazzling color to two tracks. His chiming marimba dances around Greene’s
soaring tenor on “Always There,” while his vibes add to the tapestry of
woodwinds conjured by Greene on “April 4th,” a tune that strives to illuminate
the buoyant personality and love of dance that characterized Ana, whose
birthday lends the piece its title. “I think of beautiful melodies when I think
of her,” Greene said. “I wanted this to capture that.”
Greene’s
tenor is accompanied by only Rogers and Scott for “Good Morning Heartache,” a
moaning, heart-wrenching rendition that embodies the pain of grief and loss. “The
last lyric in the song is, ‘Good morning heartache, sit down,’” Greene
explained. “You’re going to be here anyway, so might as well make yourself
comfortable. The song is about a love, but I know that heartache from dealing
with the loss of my daughter. I have a lot of joy and brightness in my life,
but that pain of loss never really goes away.”
The set ends
with the uplifting quartet piece “Simple Prayer,” a tune that echoes with the
influence of the African American church, ultimately expressing the spiritual
hope offered by this music.
“Music is a
reflection of life,” Greene concluded. “At its best, music transforms us and
transports us to another place. We lose ourselves in it. I’m convinced that
there’s much more to be hopeful for than what we experience on a daily basis.
So, I wanted this music to serve as a refuge from the harsh realities of this
world, a place where you can temporarily lose yourself in something that’s
beautiful and impactful, something that’s positive.”
Jimmy Greene
· While Looking Up
Mack Avenue
Records · Release Date: April 3, 2020
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