Bringing Back the Funk: Brooklyn Funk Essentials Celebrate
Diversity and Their Brooklyn Roots on New Album
The creative relationship between Lati Kronlund and Alison
Limerick spans decades and genres. It began back in 1990, when they released
the club anthem “Where Love Lives.” That runaway success launched them both in
different directions, sending Lati to New York City to found supergroup
Brooklyn Funk Essentials.
“Where Love Lives” brought them back together again in 2016.
Kronlund asked Limerick to sing with BFE at a gig in London, and everyone knew:
she just had to join the line-up. With her voice as the cherry on top of their
groove sundae, Brooklyn Funk Essentials holed up in a Stockholm studio to
record their latest album: Stay Good (Dorado Records Release: Sept 20, 2019). A
celebration of self-care and respect for diversity, Stay Good is fun, funky,
fresh and more focused than ever.
The seeds that would eventually grow into Stay Good were
actually sown back when Kronlund and Limerick recorded “Where Love Lives.”
Around that time, Kronlund had written the first version of “Stay Good” and
wanted Limerick to record some vocals on it. “The collaboration never materialized
though,” Kronlund says. “So I thought it would be cool to bring it back!” “Stay
Good” opens the album, and an updated version of “Where Love Lives” closes it
out. Kronlund and Limerick’s collaborative relationship finally reaches its
brightest potential.
Aside from the addition of Limerick’s legendary voice, the
line-up of Brooklyn Funk Essentials has shifted throughout the years. Today, it
consists of six musicians: UK-born Anna Brooks (sax & vocals), who was
discovered and brought to the band by Iwan VanHetten (trumpet, keyboards &
vocals). There are also Londoner Desmond Foster (guitar & vocals), Swedish
Lati Kronlund (bass) and Swedish Roma Hux Nettermalm (drums). Some members are
newer than others, but their diverse sounds come together to create an eclectic
groove that has always been the essence of the Brooklyn Funk Essentials.
Musical Director Iwan VanHetten, Kronlund tells me, is
largely to thank for the streamlining of the lineup. “Iwan was always after a
smaller band with a more focused sound,” Kronlund muses. “It was strange at
first, but now I appreciate the change and what it’s done for us”. With their new stripped down lineup, Brooklyn
Funk Essentials have been able to cultivate a special synergy with each other
as musicians. Their relationship with Dorado Records continues to flourish,
spanning 25 years, and now four albums. As a result, BFE are tighter and
jammier than ever on Stay Good.
The lyrics of Stay Good’s opening and title track are a
testament to this—how the group has changed and grown over the years as
musicians. “In many ways,” Kronlund explains, “Brooklyn Funk Essentials has
morphed into something completely new. But we’re all committed to stay good--to
continue developing and improving as musicians.” The song is also about
navigating times marked by rapid socio-political and technological change.
“It’s so important to stay good in times like these,” Kronlund explains. “To
side with compassion and stay true to yourself.”
Many of the tracks featured on this album, in one way or
another, touch on or directly embody this idea of staying true while reacting
to changing times. “Ain’t Nothing” features a duet from Foster and Limerick, as
well some catchy chanting in Patois from Jamaican Foster. While the lyrics
continue to transmit the album’s message of “staying good,” the idea of the
song came from VanHetten, who was inspired by a studio session with neo-soul
superstar Anderson .Paak.
“Watcha Want From Me” is another reimagining of a song that
Kronlund co-wrote for the late Frankie Knuckles’ second record. Originally
titled “Whadda U Want (From Me),” Kronlund changed the title to differentiate
this new version. That’s not all that changed—the track features updated lyrics
inspired by the Black Lives Matter movement. “For the instrumentation, we took
it back to an 80’s boogie disco vibe--some of the origins of house music. The
whole thing is a tribute to Frankie and BLM,” Kronlund tells me. “I think he
would have liked it.”
Taking it back to the roots, to the essentials, makes sense
here. All of the genres that Kronlund’s band has been influenced by started in
New York City. And so even though Brooklyn Funk Essentials aren’t based in Brooklyn
anymore, they’re still a Brooklyn band. “We’ve always been a very international
band, and we still love Brooklyn and New York City. From the get-go, Brooklyn
was not a geographical pinpoint for the band,” Kronlund explains. “The city
represents to us a rich cultural diversity, and we try to make a community of
diversity work just as well in our band as it does in Brooklyn, the borough.”
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