Thursday, May 23, 2019

Bassist and Composer ANNE METTE IVERSEN Presents Ternion Quartet - INVINCIBLE NIMBUS


The prolific and critically-acclaimed bassist and composer, Anne Mette Iversen (based in Berlin since 2012), formed Ternion Quartet at the beginning of 2015, exposing a new, exciting side of her musical personality, documented in grand fashion on the band's self-titled debut in 2017 (on Brooklyn Jazz Underground Records).

Ternion Quartet's sophomore album, Invincible Nimbus (available Today, May 10 on Brooklyn Jazz Underground Records), which showcases an ensemble of highly-creative, accomplished artists utterly in tune and musically enamored with one another, stretching out their seemingly inexhaustible imaginations, is about selflessness and being open to dialogue. Iversen elaborated that, "In music there is no room for selfishness. Music only lives and thrives when a dialogue is present. Only by giving room to others, by listening and by taking part in the conversation, can we lift ourselves out of the needy, greedy, self-centered orientation that threatens to grab us all. This is evident to all of us who are intimately familiar with music - and this is what we all intuitively respond to and love about music. My hope is that music can inspire more people, and especially people who have the power to make a difference in our current state of the world, to listen, omit selfishness and to respect other ideas than their own."

On Invincible Nimbus Ms. Iversen flexes her considerable composing chops, and while writing the music for this album she was studying different classical composing theories, and trying out approaches and techniques that she had not worked with consciously before. Iversen was especially focused on melody and harmony, and found herself experimenting with ways to apply the 12-tone scale to a jazz composition, ways to incorporate fugue-writing techniques and ideas from Messian's 'The Technique of My Musical Language'. The composer also searched for new sounds in Slonimsky's 'Thesaurus of Scales and Melodic Patterns', and had ideas for some challenging rhythmic material that the band had fun working with in the rehearsals (check out 'Dig Your Heels In'). While writing and recording Iversen eschewed compartmentalizing her music into genre or style. The ensemble simply played, worked out their sound for these compositions, and engaged in the musical dialogues.

Ternion Quartet is fronted by two amazing artists, alto saxophonist Silke Eberhard (rising star, DownBeat Magazine 2015 & 2017), and trombonist Geoffroy De Masure (professor at The Jazz Institute of Berlin), and is brilliantly supported, buoyed and propelled by Ms. Iversen and long-time friend and colleague from NYC, German-born drummer Roland Schneider. Iversen composes to allow the musicians unlimited space for their creative input, which is imperative to having a true dialogue. "The compositions I bring to the band are open pages. I do not dictate how anyone should play. The composition comes alive when each musician contributes what he or she hears and feels. The composition is an opening statement, setting the topic for the discussion, and the dialogue is the means for us to get the most out of each and every experience. We can be very different people, and we are, but because we share the values of keeping an open mind, being curious, respectful, and humble, the interactive dialogue we have with each other moves us and the music forward and the composition comes alive!", said Iversen.

The compelling album title, Invincible Nimbus, comes from classical mythology in which a nimbus is a cloud that surrounds a God or Goddess when he/she is on earth. Iversen liked the idea that this kind of aura is not something that can be destroyed, no matter what is done to the God/Goddess. "I guess I wish that we, humans, would find ourselves so strong that the aura that we are born with as children, the light that you see in the eyes of most children, would stay with us, and not disappear through being hurt or disappointed or manipulated into being something else than who we are. I believe that if we could meet each individual and not expect them to be anything else than who they are, then we would also be able to have an invincible nimbus around us," said Iversen. So the Invincible Nimbus album is about being still and engaging in true dialogues. Iversen elaborated, "our upbringing and our societies may not support the mindset that we were given at birth, i.e. a natural curiosity, trust and the need to explore, but this should be the base of our lives. We need to rediscover this foundation within ourselves, so that we can grow to the maximum potential and an important tool for that is in my opinion, dialogue."

Shortly after the recording sessions Iversen travelled to Athens to play concerts with another band and the importance of dialogue - the musical, but also the spoken, became very clear to her. She explains, "The dialogue was essential for the famous ancient Greeks for understanding and for learning. A true dialogue is a tool, characterized by openness, respect and humbleness."

For Iversen, the making of this album combined with her stay in Athens brought to consciousness what the bassist had always subconsciously understood and intuitively adhered to. Music teaches us about life and how to be the best we can be. Iversen elaborated, "It spreads the message to anyone who listens, and hopefully helps open hearts and ears for many. Our responsibility as musicians is to put something real into the music. Depth, soul, a heartfelt message. Real life content and experiences, not superficial crap. We are obligated to teach the importance of dialogue by making our music. To exemplify it. This is how we make an impact, and this is so much deeper than entertaining an audience for a few hours - what we put into the music is what they take home. This is why I am a musician and why it is meaningful for me to be a musician."

Ternion Quartet has toured successfully in Europe, performs regularly in and around Berlin, and has been invited to perform at Aarhus International Jazzfestival in Denmark (July 2017) and The Copenhagen Jazz Festival (2017). Their debut album Ternion Quartet received numerous rave reviews, and was on the long list of 'Preis der Deutschen Schallplatten Kritik' (2017), and on the list of "10 Best Jazz Releases of 2017" by Kjeld Frandsen, Berlingske, DK. Invincible Nimbus is their second album, available May 10, 2019 on Brooklyn Jazz Underground Records.

Invincible Nimbuswas recorded September 15 & 16, 2018, by Marco Birkner at RecPublica Studio, Lubrza, Poland.

It was mixed and mastered December 29, 2018 and January 4, 2019 by Dave Darlington, Bass Hit Studio, NYC.


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