As we enter into the fall of 2018, pianist and keyboardist Bob
Baldwin has unleashed several projects this year in celebrating his 30th year
as an artist, and 10/1/18 will mark his
10th year on the air with his NewUrbanJazz Radio Network, which begun with a
humble five stations in the NPR Radio chain. The show continues to grow with
over 45 terrestrial stations and a listening base of over 500,000 listeners.
The show can be consumed with a NewUrbanJazz app via your smartphone, or you
can listen in from your desktop computer at work. Archived weekly shows appear
on Soundcloud.
In 1988, his debut release I’ve got A Long Way To Go on
Malaco Jazz announced to the world that he would continue to be a mainstay in
the Contemporary/Smooth Jazz format. He now has over 25 discs released as a
solo artist, having recorded some of them on 5 continents, including the
countries of Brazil, the U.K., Dubai, and South Africa. His recent acquisitions
of product from Shanachie includes Cool Breeze and The American Spirit, both of
which are owned by his label, City Sketches Records, which launched in 1997.
“I anticipate that there was going to be some seismic shifts
in the music business, so I anticipated what those changes would be”, says the
native Mt. Vernonite. “When iTunes came to the party in the mid 2000’s, the
message was to own your material, and that’s what I’ve been striving for since
2000. A lot of my peers didn’t answer the call, and now, most of them are
playing catch-up. People are stealing the music, downloading less and streaming
more…and most labels aren’t sharing all the revenues…less than 15% of industry
revenues trickle down to the artists, while the labels clean up. I’m happy to
say that I’m both the artist and the label, which is a huge advantage”. That
Nostradamus-like prediction has enabled Baldwin to flood the market with music
in 2018 without label interference.
So what way to further celebrate 30 years in the music
business? By releasing even more music. His soon to be released Bob Baldwin
Presents Abbey Road the Beatles featuring House groove singer CeCe Peniston,
Smooth saxman Euge Groove, Flutist Ragan Whiteside and Washington DC vocalist
Lori Williams. His creatively arranged
arrangements of classic tracks by Lennon, McCartney and the rest of the Abbey
Road gang has been on the back burner for several years, but Baldwin had to
time it perfectly to record and release the project in 2018.
Additionally, Baldwin has been working on a track that has
evolved in history measures. His project by The Groove Pact featuring Marion
Meadows and himself, entitled “Club Life” features a record ten soloists on one
single 4:16 track, with solo appearances by Walter Beasley, Joey Sommerville,
Ragan Whiteside, Oli Silk, U-Nam, Nils, Tom Browne and the aforementioned
Baldwin and Meadows. The project has some proceeds to benefit the How Big Is
Your Dream Foundation, which encourages young students to learn about music
through performance seminars, based in the Atlanta, GA market.
Three re-mix projects with some new material are already in
the works, beginning with the most popular disc, “Never Can Say Goodbye a
Tribute to Michael Jackson (Remixed and Re-Mastered)”. The out-of-print
recording which now sells on Amazon starting at an eye-popping $55.00 will now
be re-released to ward off all rogue record retailers, released as a
normally-priced disc.
A Mount Vernon, New York native who has become a longtime
resident of Atlanta, Baldwin debuted in 1988 with “I’ve Got A Long Way to Go”
and his 25 albums – eight of which climbed into the Billboard Contemporary Jazz
Top 20 – are jazz, R&B and gospel outings. Over the years, he’s worked as a
producer, songwriter and performer alongside George Benson, Gerald Albright,
Euge Groove, Will Downing, Phil Perry, Pieces of a Dream, Paul Taylor, Rick
Braun, Kirk Whalum and Chuck Loeb. Since 2008, he has hosted the nationally
syndicated radio program “The NewUrbanJazz Lounge,” which attracts nearly
500,000 listeners weekly. His City Sketches, Inc. is the umbrella entity that
houses a production and event planning company, the radio network and
NewUrbanJazz Hats. Baldwin is also the author of a book about the music
industry, “You Better Ask Somebody / Staying On Top of Your Career in the
‘Friggin’ Music Business.”
He now has recorded some of them on 5 continents, including
the countries of Brazil, the U.K., Dubai, and South Africa.
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