Following the
limited-edition Record Store Day release of Ella Fitzgerald's unreleased 1956
album Ella At Zardi's on pink and blue vinyl, which earned Fitzgerald her first
No. 1 on the 24-year-old Jazz Albums Chart and her second No. 1 on the
Traditional Jazz Albums chart, the acclaimed live album will receive a wide
release as a double LP on black vinyl on August 17 via Verve/UMe.
First released on CD and digital in December 2017, the album
capped off a year-long celebration of the jazz legend's centennial. The
collection earned rave reviews and topped many year-end lists including the Los
Angeles Times and NPR who exclaimed, "It's a real find: two sets of blithe
vocal brilliance recorded in a club in 1956, before Ella became a
trademark," continuing, "Get this to savor Fitzgerald's assured sense
of swing, and unmatched (still!) vocal dexterity."
Recorded on February 2, 1956 at Zardi's Jazzland in
Hollywood, Ella At Zardi's features the entirety of the evening's two-set,
21-song performance, which captures an inspired Fitzgerald, backed by a stellar
trio comprised of pianist Don Abney, bassist Vernon Alley and drummer Frank
Capp, singing and swinging in front of an animated, adoring crowd, just days
before she'd go on to record the album that would catapult her to stardom. The
concert was originally recorded by Norman Granz to celebrate the creation of,
and Fitzgerald's signing to, Verve Records, which Granz founded largely to give
Fitzgerald the attention that he felt she wasn't receiving at her then-current
label, Decca. Ella At Zardi's was planned as the label's inaugural release but
shelved in favor of the now-classic studio album Ella Fitzgerald Sings The Cole
Porter Song Book, which kicked off a best-selling, signature series of Song
Book releases. The Zardi's tapes languished in Verve's vaults for six decades.
Ella At Zardi's captures the brilliance and inspiration
Fitzgerald's performances embodied at the time. As veteran jazz journalist Kirk
Silsbee observes in the album's liner notes, "We can hear a fluid and
joyous singer who operates with almost giddy authority. Ella manages to find a
way of swinging almost every number, no matter the tempo. She anticipates her
studio songbook albums with Duke Ellington's 'In A Mellow Tone,' Cole Porter's
'My Heart Belongs To Daddy,' the Gershwins' 'S'Wonderful' and 'I've Got a Crush
On You,' and Jerome Kern's 'A Fine Romance'... Ella uses her intelligent
phrasing and rhythmic sense in inventive and exhilarating ways. Her repertoire
was vast and she didn't always remember the correct lyrics of a song. But the
way she spontaneously redesigns the text in the most musical of ways is
Fitzgerald's signature."
Ella At Zardi's stands out for its history-making
rediscovery of a vintage performance by one of jazz's greatest artists. As
Granz enthuses in his stage introduction, "This is for real; for me she's
the greatest there is—Miss Ella Fitzgerald!"
ELLA AT ZARDI'S TRACK LISTING
LP1 – FIRST SET
SIDE A
1. It All Depends On
You
2. Tenderly
3. Why Don't You Do
Right
4. Cry Me A
River
5. In A Mellow Tone
SIDE B
1. Joe Williams's
Blues
2. A Fine
Romance
3. How High The
Moon
4. Gone With The
Wind
5. Bernie's Tune
LP2 – SECOND SET
SIDE C
1. 'S Wonderful
2. Glad To Be Unhappy
3. Lullaby of Birdland
4. The Tender Trap
5. And The Angels Sing
6. I Can't Give You Anything But Love
SIDE D
1. Little Boy (a.k.a. Little Girl)
2. A-Tisket, A-Tasket
3. My Heart Belongs To Daddy
4. Airmail Special
5. I've Got A Crush On You
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