On March 6, 1963, John Coltrane and his Classic
Quartet — McCoy Tyner, Jimmy Garrison, and Elvin Jones — recorded an entire
studio album at the legendary Van Gelder Studios. This music, which features
unheard originals, will finally be released 55 years later. This is, in short,
the holy grail of jazz.
Both
Directions at Once: The Lost Album will be released on June 29 on Impulse!
Records, Coltrane's final and most creative label home.
The first
week of March in 1963 was busy for John Coltrane. He was in the midst of a
two-week run at Birdland and was gearing up to record the famed John Coltrane
and Johnny Hartman album, which he did on March 7. But there was a session the
day before that was the stuff of legend, until now.
On
Wednesday, March 6, Coltrane and the quartet went to Van Gelder Studios in
Englewood, NJ and cut a complete album's worth of material, including several
original compositions that were never recorded elsewhere. They spent the day committing these to tape,
taking time with some, rehearsing them two, three times, playing them in
different ways and in different configurations.
At the end
of the day, Coltrane left Van Gelder Studios with a reference tape and brought
it to the home in Queens that he shared with his wife, Naima. These tapes
remained untouched for the next 54 years until Impulse! approached the family
about finally releasing this lost album. Though the master tape was never
found—Rudy Van Gelder wasn't one for clutter—the reference tape was discovered
to be in excellent condition.
As the
legendary saxophonist Sonny Rollins so rightly put it, "This is like
finding a new room in the Great Pyramid." The musical implications of this
album, the original compositions, the arrangements, the band, the year it was
recorded, all amount to a rediscovery and re-contextualization of one of the
most important musicians of our time.
Danny
Bennett, President and CEO of the Verve Label Group and home of Impulse!
records, says, "Jazz is more relevant today than ever. It's becoming the
alternative music of the 21st century, and no one embodies the
boundary-breaking essence of jazz more than John Coltrane. He was a visionary
who changed the course of music, and this lost album is a once-in-a-lifetime
discovery. It gives us insight into his creative process and connects us to his
artistry. This album is a cultural moment and the release coincides perfectly
with our relaunch of the iconic Impulse! label."
On this
album, there are two completely unknown and never-before-heard originals.
"Untitled Original 11383" and "Untitled Original 11386,"
both played on soprano sax. "11383" features an arco bass solo by
Jimmy Garrison, a relative rarity, and "11386" marks a significant
structural change for the quartet, in that they keep returning to the theme
between solos, not typical in the quartet's repertoire.
In addition
to the two unheard originals, "One Up, One Down" – released
previously only on a bootleg recording from Birdland – is heard here as a
studio recording for the first and only time. It contains a fascinating
exchange between Elvin Jones and Coltrane.
"Impressions,"
one of Coltrane's most famous and oft-recorded compositions, is played here in
a piano-less trio. In fact, McCoy Tyner lays out a number of times during this
recording session. It's one of the more interesting aspects of this session and
reflects the harmonic possibilities that Coltrane was known to be discussing
regularly with Ornette Coleman around this time.
This studio
session also yielded Coltrane's first recording of "Nature Boy,"
which he would record again in 1965, and the two versions differ greatly. The
one we know is exploratory, meandering. This version is tight, solo-less and
clocking in at just over three minutes. The other non-original composition on
the album is "Vilia," from Franz Lehár's operetta "The Merry
Widow". The soprano version on the Deluxe Edition is the only track from
this session to have been previously released.
This
incredible, once-in-a-lifetime discovery reveals a number of creative balances
at work, like developing original melodies while rethinking familiar standards.
Trying out some tunes first on tenor saxophone, then on soprano. Using older
techniques like the arpeggio runs of his "sheets of sound" while
experimenting with false fingerings and other newer sounds. This session was
pivotal, though to call it such overlooks the fact Coltrane was ever on pivot,
always pushing the pedal down while still calling on older, tested ideas and
devices.
Both
Directions at Once: The Lost Album is a major addition to the Coltrane
catalogue and the most important jazz discovery in recent memory.
This
historic session resulted in 14 tracks in total. On the standard edition, there
are 7 takes, chosen by Ravi Coltrane. The rest of the takes exist on the second
disc of the deluxe set. There will be a standard CD and LP and a deluxe CD and
LP available on June 29 on Impulse! The deluxe edition will exist on all
digital streaming platforms as well.
Standard
Edition Track List:
Untitled
Original 11383 (5:41)
Nature Boy
(3:24)
Untitled
Original 11386 (8:43)
Vilia (5:32)
Impressions
(4:36)
Slow Blues
(11:28)
One Up, One
Down (8:01)
Deluxe
Edition Track List:
CD1
Untitled
Original 11383 (Take 1) (5:41)
Nature Boy
(3:24)
Untitled
Original 11386 (Take 1) (8:43)
Vilia (Take
3) (5:32)
Impressions
(Take 3) (4:36)
Slow Blues
(11:28)
One Up, One
Down (Take 1) (8:01)
CD2
Vilia (Take
5) (4:37)
Impressions
(Take 1) (4:06)
Impressions
(Take 2) (4:37)
Impressions
(Take 4) (3:40)
Untitled
Original 11386 (Take 2) (8:41)
Untitled
Original 11386 (Take 5) (8:23)
One Up, One
Down (Take 6) (7:17)
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