In the wake
of the release of her acclaimed second full length album, Soyo, and in between
her many live dates around the world, Brazilian born, Parisian resident, Dom La
Nena has recorded a beautiful new EP of cover versions of some of her favorite
songs. Cantando EP is set to be released on September 30, 2016 out on Six
Degrees Records.
Dom explains
the inspirations behind the Cantando EP and why she felt compelled to record
these particular songs from this diverse group of global composers:
I am a
composer, although sometimes my desire to sing the songs of other artists is
strong. These creative impulses often
inspire me to record cover versions. I actually perform some of the songs
chosen for the “Cantando” EP in my live concert set, others I only sing at
home. All of the songs selected for this EP are long time favorites of mine,
many of which I have enjoyed since I was a child. With these four songs, I wanted to achieve a
variety of moods, languages, atmospheres, time periods, and revisit my musical
roots.
I approached
the arrangements of these recordings with the intention of keeping things
simple, a minimalist vision, placing the focus on the lyrics and the
melodies. This is why I only used my
cello as accompaniment. Additionally, I found Maxime Le Guil to be one of the
best sound engineers with whom I have ever worked. His delicate and insightful
touch was extremely important to the creation of each arrangement.
“Felicidade,"
from Brazilian composer Lupicinio Rodrigues, reminds me of my childhood. It is one
of the first songs I learned to play. "Felicidade" means “happiness”.
I have a strong sense of contentment whenever I hear or perform this song. I
think Lupicinio makes me feel so happy because she transports me back to my
hometown of Porto Alegre (Lupicinio was also from there), back to my family
roots. Suddenly, I am back in the school choir, singing this song with my best
childhood friends. Recording this song
preserves these wonderful feelings and honors my origins.
Chilean
composer and musical pioneer Violeta Parra is one of my biggest musical
references and inspirations. She was an
extraordinary woman, a Latino-American innovator. "Gracias a la Vida” will always be a
part of my life. It is a song that is a part of the musical and cultural heritage
of every Latino-American. I remember passionately singing this song during my
teenage years while in Buenos Aires.
When I
arrived in Paris for my studies, I was 18 years old, and listening non-stop to
Beirut's first album, "The Gulag Orkestar.” I don't know why but I always found Brazilian
influences within the song "Scenic World," almost like a little
Samba. Perhaps I felt this way because I was far from my country, and was
sensitive to every little detail of life that might remind me of Brazil, making
me feel closer to home. When recording
this song, I wanted to finally create the little Samba that grew from my
imagination over the years.
"Les
Vieux," by Belgian singer/songwriter Jacques Brel is my mother's favorite
song. She was the one who introduced me to Brel's music during my childhood in
Brazil before I arrived in France. It was with this song that I became familiar
with the French language.
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