Brooklyn-based
Red Piano Records is proud to announce the release of Familiar Places from
pianist/composer Dan Kaufman. This album
marks Kaufman's debut as a leader, with a stellar line-up featuring Johnathan
Blake on drums, Gilad Hekselman on guitar, Matt Clohesy on bass, Sam Sadigursky
on saxophones and Keita Ogawa on percussion, in a program of eight original
compositions. Kaufman explains the
genesis of Familiar Places, "To put it simply, I wanted to make a record
that I would want to listen to. Something that had memorable melodies, that was
accessible, but at the same time challenging and stimulating for the players as
well as for the listener. A record that felt honest and personal."
Familiar
Places is a collection of original compositions that Kaufman has written over
the last 10 years. He elaborates,
"They are like little places, familiar, yet somehow new and unique. Each tune has a specific character, mood,
structure, groove, and concept. The goal
of the record was to freely explore these places as an ensemble by capturing
the essence of each composition."
Together the band and the music take a journey, give the listener a
sense of having traveled over time, rich varied places that seem both familiar,
fresh, and universal.
To navigate
these varied and intimate musical places having the right traveling companions
is critical. "The musicians are all
players I've had long standing musical relationships with, some going back over
15 years, although before preparing for the record we had never played in this
particular combination. We all share a
certain sensibilty, selflessness, a compositional approach. Although I had a very specific idea of mood
and shape of each piece, I wanted the musicians to not feel restrained, but
inspired and liberated by the compositions.
Indeed, each musician brought their
unique voice to the project and made the music their own."
Sam
Sadigursky, one of the most underrated saxophonists in New York City brought a
fearlessness, a fire and an impeccable attention to detail. Gilad Hekselman displays his deep sense of
time and his organic genre-transcending approach. This album features some of his best playing
to date, particularly on "Farmington". Johnathan Blake anchors the band with
soulful, swinging, and adventurous drumming, and has an uncanny hook up with
Kaufman, as heard on the first track, "Windshadow." Matt Clohesy's playing is clear, precise,
intense, funky and smart, and is equally comfortable in a wide variety of
groves. Percussionist Keita Ogawa brings
a richness and warmth with his combination of inventiveness, tastefulness, and
his ability to blend in with a modern jazz ensemble.
Kaufman
gives us some insight into each composition on the album:
"Windshadow", a modern uptempo jazz waltz, with a floating rolling
feeling has a warm folksy quality. It's
a tribute to my friend Michael's boat.
"Kuumba", (swahili word for creativity) is a happy and simple
melody with an Afro-Cuban inspired groove, with deceptively unusual meter and
essentially a blues form. It is named
for the great trombonist/vocalist Frank Kuumba Lacy who used to sing this tune when
we had a weekly gig at Smoke, the uptown New York club. The worlds of Astor Piazzolla and Lennie
Tristano collide on "Dansesong", a heady tango in 7/4. "Falling
Petals" is a medium waltz, in the vein of the late 60s jazz artists like
Joe Henderson, Bobby Hutcherson and Herbie Hancock, which utilizes a series of
pedal points in the bass. "Familiar
Places" was written back when I was a student at Juilliard, and blends
influences of Keith Jarrett-like harmony
with Brazilian rhythms. "Dew
Eye" takes inspiration from the language of modern indie rock, and
alternates seamlessly between 3/4 and 5/4 time.
"Farmington" was composed at the Maine Jazz Camp in
Farmington, Maine, where I first met Red Piano Records founder Frank Carlberg
over 16 years ago. It was the last song
we recorded during the two-day recording session, which happened to be in the
middle of one of the biggest blizzards in New York history. We let it all hang out. Gilad's solo is
remarkable and Sam's wailing improvisation at the coda provides the perfect
ending to a joyous session."
Familiar
Places is a most auspicious debut by this considerable talent who skillfully
manages to bring the listener into familiar places and then takes them much
farther. The recording continues to
push Red Piano Records towards the front of small independent labels releasing
music that is fresh and fearless.
Dan Kaufman
has emerged as a leading and promising voice in jazz piano. His playing is adventurous and dynamic while
firmly rooted in the tradition. As a
versatile and sensitive sideman Kaufman has performed for audiences around the
world, with many prominent figures in jazz such as Jimmy Heath, Wynton
Marsalis, Christian McBride and Mark Turner.
He is also an accomplished composer and arranger. Kaufman began classical piano studies at age
four and was working professionally as a teenager. He moved to Boston to attend the New England
Conservatory where he studied with Fred Hersch and Danilo Perez. Kaufman joined the Grammy-nominated group The
Either/Orchestra and quickly became one of the most in demand young talents on
the Boston scene, working extensively with Jeremy Pelt, Miguel Zenon and Bob
Moses, among many others. After a brief
stint as a member of the highly selective Thelonious Monk Institute of Jazz,
Kaufman moved to New York to attend the Juilliard School on a full scholarship
and joined their inaugural class of jazz studies. At Juilliard he studied with the great Kenny
Barron. Kaufman has established himself
as an in demand pianist in New York, joining the working bands of Donald
Harrison, Ben Wolfe, Wycliffe Gordon, Rodney Green, Wayne Escoffery and Dominck
Farinacci. He also works with many of
the worlds top jazz vocalists including Nnenna Freelon, Kevin Mahoganny, Robin
McKelle, Allan Harris, Gretchen Parlato, Marilyn Maye, and KD Lang. Kaufman has appeared on numerous recordings
as a sideman.
No comments:
Post a Comment