Tenor, alto, and soprano saxophonist John
Wojciechowski has been a mainstay of Chicago's world-class jazz scene since his
arrival from Detroit in 2002, forging close alliances with first-call musicians
such as pianist Ryan Cohan, bassist Dennis Carroll, and drummer Dana Hall.
Those players happen to be the members of his tightly-knit working quartet, who
appear on his outstanding new CD Focus. Origin Records will release the
disc,Wojciechowski's first for the label, on September 18.
Boasting
seven strong original compositions, each one reflecting a different aspect of
the saxophonist's style and personality, Focus is one of those supremely
enjoyable albums that treats the mainstream not as a comfort zone but a central
place from which to push stylistic boundaries and assert original ideas.
Repertoire
ranges from the earthy intensity of "Summon the Elders," a
spell-casting modal piece reminiscent of John Coltrane and Pharoah Sanders, to
the bottom-up inventions of the title cut to the dancing 3/4 patterns of
"Twirl," on which Wojciechowski (woy-cha-KOW-ski) shows off his
lyrical tenor saxophone sound.
"After
the tenor became my 'voice,'" he told CD annotator Neil Tesser, "I
think I started to run away from the alto [his first instrument]. So I really
wanted to get back to it on this recording." His alto work is featured on
the two standards, Thelonious Monk's "Evidence" and Dave Brubeck's
"In Your Own Sweet Way": "I like to play alto on those songs;
I've been playing them forever."
The two
covers on Focus reveal the leader's compositional gift as well. He remakes
"Evidence" with the clave-informed Latin arrangement and
reharmonizing touches he showed off at the 1996 Thelonious Monk Competition (he
placed third behind Jon Gordon and Jimmy Greene). And showing off his love of
Sonny Rollins and Joe Henderson, he treats "In Your Own Sweet Way" to
a coiled, melodically expansive alto trio reading.
"Divided
Man," whose two separate sections reflect Wojciechowski's dual existence
as a music teacher (at St. Charles North High School, in the historic river
city of St. Charles, Illinois) and urban jazz musician, displays the
deep-seated unity of this band.
"Elegy,"
a beautiful piece written for his father, who died two years ago, captures both
the gentleness of the man and the hard times he underwent dealing with illness.
"I don't usually do programmatic pieces," says Wojciechowski, "but
this was really a composition that wrote itself. It's based in my reflection
that life is short and I still had a lot to say as an artist. And it brought up
a lot of memories about my father."
John WojciechowskiJohn Wojciechowski, 41, was
born in Mount Clemens, Michigan, 24 miles northwest of Detroit. His father was
a sheet metal worker by day and a jazz organist by night in the manner of such
B-3 favorites as Don Patterson, Jimmy McGriff, and Richard "Groove"
Holmes.
Young John
started playing music at age 8, and, recognizing his son's aptitude, his father
asked him what instrument he wanted to play. "I chose the saxophone,"
he says, "because I was drawn to its sound" -- particularly that of
alto great Sonny Stitt, who made such a stellar contribution to countless organ
groups of that era.
The elder
Wojciechowski went to extra lengths to find his son a good teacher and came up
with a winner in Gerry Gravelle. "He knew all the vocabulary," says
Wojciechowski, who by the time he was in middle school was playing alto saxophone,
plus clarinet and flute, and was conversant with the Great American Songbook.
He earned
his music education degree (at Western Michigan University) at the urging of
his jazz elders, and after a brief stint in New York moved back to Detroit, where
he took up teaching, performed locally, and worked on his tenor saxophone
playing.
"Wojo,"
as he is known, made the move to Chicago in 2002 and before long found himself
in such impressive settings as the Chicago Jazz Orchestra. In 2004 he began
teaching at St. Charles, and in 2009 he made his recording debut with Lexicon,
featuring Dana Hall and Dennis Carroll as well as guitarist Dave Miller and
pianist Ron Perrillo. Wojciechowski has also performed in pianist/arranger
Laurence Hobgood's first post-Kurt Elling band and with such notable young
artists as pianist Jacob Sacks, bassist Jeff Campbell, and trombonist Joel
Adams.
Whether
leading his own group or furthering his already distinguished career as a
sideman, John Wojciechowski brings to bear a consummate understanding of where
past meets present, where Detroit meets Chicago, where learning meets teaching,
and where dedication meets execution.
The John
Wojciechowski Quartet with Ryan Cohan, Dennis Carroll, and Dana Hall will be
performing the following CD release shows for Focus: Sat. 9/26 Hyde Park Jazz
Festival, Chicago (6pm, Wagner Midway Stage); Wed. 10/28 St. Charles North High
School, St. Charles, IL (7:30pm); Fri. 10/30 Green Mill, Chicago (9pm); Sat.
10/31 Green Mill (8pm).
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