Crossways is
composer/pianist Myriam Alter's third production for Enja Records (licensed to
Justin Time Records in North America).
Her mother grew up in Saloniki, which has given Greece some of its
greatest musicians, artists, poets and thinkers, thus providing a rich
background for Alter to draw upon. Her father was born in Istanbul and lived
there until he was seventeen when he moved to Belgium. Being brought up around
these different cultural influences left an imprint on Alter and has influenced
her music and compositions throughout her life.
Alter
gathered a standout ensemble, with diverse cultural backgrounds like her own,
to come from all over the world to produce the tight overall sound on
Crossways. At the center of the music is Italian accordion virtuoso Luciano
Biondini. He is joined by American (now Netherlands based) clarinetist John
Ruocco, who fulfills an important soloist role in a similar fashion to his role
on Alter's previous albums. Belgian bassist Nic Thys always impresses with his
strong acoustic bass foundation, and the liquid tuba of Belgian Michel Massot
will be a discovery for many. The creative young Dutch percussionist Landers
Gyselinck provides steady rhythmic
support and is making a name for himself in both the jazz and the avant-garde
rock scene, and Italian Michel Bisceglia provides subtle, crisp piano solos
with his arrangements that truly balance and support the compositions.
"I
chose Crossways because of my own upbringing. I came from a Judeo-Spanish
family and lived in Belgium," says Alter. "Once you add that to the
background of these musicians, all those cultures meet in the music."
Crossways not only refers to the diversity and eclecticism in the musicians'
backgrounds but also to the instrumentation for the album. The unique
combination of accordion, clarinet, and tuba along with the traditional
instrumentation adds a distinctive element to Alter's music that is undeniable
and also adds succinctly to the warm melodies throughout the recording.
Although
most of the performances were improvised, the melodies were arranged to evoke a
certain feeling of peacefulness and tranquility. For Alter, it's the feelings
of nostalgia in the arrangements that provoke these feelings that she hopes
draw the listener back. "I want these melodies to create a warm and loving
feeling so the melody really sticks with the listener," explains the
composer.
The album
concludes with a beautiful and spontaneous solo piano piece performed by Alter,
dedicated to Mal Waldron. The two met in Brussels and had become good friends
with Alter inviting him to workshops, taking lessons with him and watching him
perform on a weekly basis. The moving performance serves as a fantastic end to
this exciting production. Crossways is sure to be a landmark recording for this
composer/pianist.
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