CHRIS GREENE QUARTET - MUSIC APPRECIATION
A double-length set
from Chicago tenorist Chris Greene – but a package that may well not be enough
to hold all the new ideas in his music! We've really watched Chris grow
strongly over the past few years – and with this wonderfully well-crafted,
rich-voiced album, he steps forward to a level that rivals some of the much
bigger saxophone talents recording these days for labels like High Note or
Criss Cross! Greene's always had a deep tone in his horns – one that draws from
a Chicago tradition, but inflects it with some of the more contemporary modes
of later players on the scene – like Eric Alexander, who Chris might be
approaching with this set. The range of rhythms and song styles is great –
never gimmicky, but expanding past standard expectations – so that Greene's
group is playing Coltrane and Wayne Shorter one minute, then Martin Denny the
next, then Ed Motta, then a huge batch of their own great compositions as well.
Instrumentation is simple – Chris on saxes, plus piano or keyboards, bass, and
drums – but there's some wide voices here that really make the album compelling
– and the longer length very necessary to contain it all. Titles include
"Firecracker", "Deluge", "Day of Honor",
"Divers", "Solution", "Papuera", "Clean
& Clear", "Institutional Samba", and "Nostalgia In
Times Square". ~ Dusty
Groove.
BRIAN CHARETTE - SQUARE ONE
Damn tight Hammond
work from Brian Charette – a player with a really deft touch on the keys, and
able to really showcase his own voice on the instrument, but also dip back into
some older soulful modes as well! Most of the tracks here are originals by
Charette – although there's also a great Meters cover too – and his trio has
all the right inflections to keep up with his soaring sense of energy – making
for a mix of guitar and organ that's maybe even more balanced than most other
organ combos. Charette's got a clean tone on most numbers – ala Jack McDuff at
his mid 60s best – but also can open up with more flourish when needed,
depending on the track. Titles include "Ease Back", "Time
Changes", "Aaaight", "If", "Three For
Martina", "People On Trains", and "Things You Don't
Mean". ~ Dusty Groove,
NICK WATERHOUSE - HOLLY
Damn deep grooves
from Nick Waterhouse – a singer we've always liked a lot, and one who really
seems to sharpen his edge here with some great elements from older R&B!
Nick's already proved himself to be one heck of a soulful vocalist – and this
time around he picks up more grit from the pre-soul years – including some
excellent twangy guitar, tippling piano, and snapping drums – all of which
bring out some very blue elements in the lyrics. The overall feel is somewhere
in the territory of the 50s 78rpm generation – particularly that of the indie
labels that recorded their own styles of R&B – and the production follows
nicely, with a very stripped-down feel. Nick's never too overdone – never tries
to be too raunchy or over the top – just hits this great blend of soul, blues,
and R&B in a very understated mode. Titles include "Sleeping Pills",
"Holly", "Hands On The Clock", "High Tiding",
"It No 3", and "Let It Come Down". ~ Dusty Groove
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