Thursday, August 11, 2005

SUSAYE GREENE, THE LAST SUPREME STEPS OUT


Susaye Greene, the last member of the Supremes, has, in her sophomore CD, Brave New Shoes, created “the album she’s always wanted to make”. As much a canvas for studio experimentation as it is a celebration of Greene’s often underappreciated singing/songwriting abilities, Shoes is an album with enough varied sounds to appeal to underground hip-hop heads, lovers of the lost arts of traditional soul, R&B, and jazz, and even a classic rock enthusiast or two."Ray Charles taught me that if you enjoy and are influenced by all kinds of music, then that’s what you should do," the singer has said bluntly about her work to date; "That’s why he was around for so long. That’s why, if I like a rock song, a jazz song, an aria, or even a nursery rhyme, then I’m gonna sing it, and put my whole heart into it."While the same could be said about Susaye’s last album, No Fear Here, a passionate set of songs ranging from alternative ballads, to jazz-tinged soul, to even a Roger’s & Hammerstein tune, in this follow-up, Greene has pushed her eclectic tastes to an even higher plane.Here, Greene has abandoned the retro sound of her No Fear Here, in favor of a mesh of musical genres that she has dubbed "Bio-Soul," mixing the smoothness of R&B, the hard-hitting swagger of industrial rock, and the wall of sound exemplified in electronica and dance music, all wrapped up in a package of polished production and solid songwriting skills. This lattice of influences is seen in standout tracks like the futuristic Livin’ In A Vacuum, the fast-moving, fun-filled club pace of Time, the jazzy funk of Get What You Give, which possibly best shows Greene’s melodic strength and lyrical capabilities, and a cover of the Led Zeppelin rocker, The Ocean, in which Susaye’s wail may even match Robert Plant’s. So as not to scare Supremes’ loyalists or the musically conservative, however, Ms. Greene has taken care to mix this newfangled stuff with enough nostalgia to keep in touch with her fans. Among the work people may recognize, is a reinterpretation of club hit High Energy, a standout from Greene’s former group, the Supremes. "I always enjoyed performing it on stage, and I felt it was still relevant." The centerpiece of the album, originally a collaboration with English saxophonist Courtney Pine, titled Children of the Ghetto Revisited, (an Urban Drama), touches on social issues in a masterfully unique way, due to the added perspective of rapper ingĂ©nue, Schism, as well as Susaye’s still poignant vocals. Brave New Shoes is now available worldwide as of August 2nd on the Dollface Music Label.

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