Joel Ross Returns with nublues: A Masterpiece of Modern Jazz

Acclaimed vibraphonist Joel Ross has once again redefined the possibilities of contemporary jazz with his fourth Blue Note release, nublues. This stunning album weaves together a tapestry of blues and ballads, showcasing Ross's inventive artistry and the synergy of one of the most dynamic jazz ensembles of our time.

A Fresh Take on the Blues

nublues explores the rich emotional spectrum of the blues while emphasizing lyrical melodies that resonate deeply with listeners. Ross's approach is one of refracted tradition—taking the foundations of the blues and ballads and filtering them through his modern, inventive sensibilities. Each track offers a fresh perspective, blending intricate improvisation with accessible, singable motifs.

The Band: A Model of Communication

Central to the album’s brilliance is the intuitive interplay between Ross and his remarkable band. The group features:

Immanuel Wilkins on alto saxophone, whose fiery yet lyrical playing adds depth and passion.

Jeremy Corren on piano, providing harmonic richness and inventive solos.

Kanoa Mendenhall on bass, grounding the ensemble with warm, resonant tones.

Jeremy Dutton on drums, offering dynamic rhythms that drive the ensemble’s conversation forward.

Gabrielle Garo, a special guest on flute, whose delicate and expressive playing adds a new texture to Ross’s sound palette.

Together, this tight-knit group engages in a profound musical dialogue, seamlessly transitioning between themes and improvisations, often forming spontaneous suites that keep the listener captivated.

A Bold Tracklist

The 10 tracks on nublues include seven new Ross originals alongside interpretations of jazz standards by legends like John Coltrane and Thelonious Monk. Highlights include:

“early”: A contemplative opener that sets the reflective tone of the album.

“equinox” & “central park west”: Two Coltrane classics reimagined with blues-infused depth and emotional clarity.

“evidence”: Ross and his band breathe fresh life into Monk’s angular masterpiece.

“nublues”: The title track epitomizes the album’s ethos, blending tradition with modern innovation.

“bach (God the Father in Eternity)”: A meditative piece that showcases Ross’s spiritual and harmonic explorations.

Ross’s originals, including “mellowdee” and “what am I waiting for?”, demonstrate his gift for creating memorable melodies that feel both timeless and contemporary.

The Art of Spontaneous Suites

One of the most captivating aspects of nublues is the way the band crafts spontaneous suites, moving effortlessly between pieces without losing a sense of cohesion. This approach reflects the ensemble's unparalleled communication and shared vision, offering listeners a truly immersive experience.

A Modern Jazz Milestone

Joel Ross’s nublues is more than just a collection of songs; it is a profound statement of artistic vision and collective improvisation. It reaffirms Ross’s status as a leading voice in modern jazz, while also paying homage to the traditions that inspired him. With its blend of blues, ballads, and innovative reinterpretations, nublues is poised to become an essential addition to the jazz canon.

Dive into this remarkable journey of sound, and let Joel Ross and his extraordinary band guide you through the ever-evolving landscape of jazz. nublues is out now on Blue Note Records.

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Nina Simone’s In Concert: A Bold Declaration of Civil Rights Through Music

Released in 1964, Nina Simone in Concert stands as one of the most defining and deeply personal works in Nina Simone’s illustrious career. Recorded during a series of live performances at Carnegie Hall, the album captures Simone at a pivotal moment as both an artist and an activist. It is a bold and unapologetic statement, reflecting her unwavering commitment to the Civil Rights movement and showcasing her extraordinary ability to blend artistry with advocacy.

“Mississippi Goddam”: A Rallying Cry

At the heart of the album is “Mississippi Goddam,” a fiery anthem that Simone introduced during these concerts. Written in response to the assassination of Medgar Evers in Mississippi and the bombing of the 16th Street Baptist Church in Birmingham, Alabama, the song is both a lament and a call to action. Its biting lyrics, delivered with Simone’s signature intensity, broke new ground in music by addressing systemic racism and injustice head-on. Unlike many protest songs of the time, “Mississippi Goddam” did not disguise its outrage—it named names and demanded accountability.

This track marked Simone’s unmistakable entry into political activism, solidifying her role as an artist deeply intertwined with the struggles of her time. It also established her as a voice of the Civil Rights movement, unafraid to confront uncomfortable truths.

A Collection of Socially Conscious Reflections

Beyond “Mississippi Goddam,” In Concert features other powerful songs that reflect Simone’s awareness of and dedication to social justice.

“Old Jim Crow” addresses the entrenched racial segregation and systemic inequities of the Jim Crow South.

“Pirate Jenny”, adapted from The Threepenny Opera, becomes a chilling metaphor for revolution and the dismantling of oppressive systems.

“Go Limp” blends humor and poignancy, offering a sly critique of societal expectations, especially for women.

Each track is a testament to Simone’s ability to use her platform to amplify the voices and stories of the marginalized.

A Balance of Tradition and Innovation

While In Concert is often celebrated for its political resonance, the album also showcases Simone’s mastery of more traditional material. Her rendition of “I Loves You, Porgy,” originally from Gershwin’s Porgy and Bess, revisits the song that first brought her widespread acclaim. Meanwhile, “Don’t Smoke in Bed” is a tender jazz ballad that highlights her ability to convey vulnerability and introspection.

These moments of quiet beauty provide a counterbalance to the album’s more incendiary tracks, demonstrating Simone’s remarkable versatility as both a performer and a storyteller.

A Minimalist Backing, Maximum Impact

On In Concert, Simone is accompanied by a sparse quartet that includes guitar, bass, and drums. This stripped-down arrangement allows her voice and piano to take center stage, creating an intimate yet powerful listening experience. The live setting further enhances the emotional immediacy of her performance, capturing the raw energy and connection she shared with her audience.

The Verve Acoustic Sounds Reissue

The significance of Nina Simone in Concert endures, and its 2024 reissue as part of the Verve Acoustic Sounds Series pays homage to this groundbreaking album. Featuring meticulous transfers from the original analog tapes, the reissue offers pristine sound quality on 180-gram vinyl, housed in deluxe gatefold packaging. It’s an opportunity for both longtime fans and new listeners to experience Simone’s genius in a format that honors the album’s historical and artistic importance.

Legacy of In Concert

Nina Simone in Concert remains a milestone in American music and civil rights history. It captures a moment when art became activism, and when a gifted musician used her platform to demand change. Bold, unflinching, and deeply human, the album continues to resonate with audiences, inspiring generations to confront injustice and strive for a better world.

This record is not just a collection of songs; it is a testament to the power of music to reflect, challenge, and transform society. Nina Simone’s legacy as a trailblazer in both music and activism shines brilliantly through In Concert.

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Celebrating 60 Years of Fania Records: The Latin Sound of New York and Its Enduring Legacy

This year marks the 60th anniversary of Fania Records, one of the most iconic Latin music labels in history. Renowned for its groundbreaking contributions to Latin music and culture, Fania’s influence continues to resonate globally. To commemorate this milestone, Craft Latino proudly presents Fania Records: The Latin Sound of New York (1964–1978)—a new compilation that pays tribute to the label's unparalleled legacy. Available digitally now and as a 2-LP set on January 24, the album brings together 16 of Fania's greatest hits, featuring legendary artists such as Willie Colón, Héctor Lavoe, Celia Cruz, Rubén Blades, Ray Barretto, and many more.

The vinyl edition is a collector's treasure, complete with archival photographs and comprehensive liner notes by Aurora Flores Hostos, a New York-based music historian, author, and activist. Written in both English and Spanish, these notes provide valuable insights into the history of Fania and its artists. For long-time fans and new listeners alike, this compilation offers an essential entry point into the world of salsa and Latin soul.

A Year of Celebrations for Fania Records

This release concludes a year-long celebration of Fania Records' enduring impact. The festivities have included over a dozen remastered 180-gram vinyl reissues, more than two dozen digital album remasters—including some in high-resolution audio—and exclusive merchandise.

Fania: The Soundtrack of Latin New York

Fania Records is to Latin music what Stax and Motown are to soul or Blue Note and Prestige are to jazz. Since its founding in 1964, the label has been synonymous with the evolution of Afro-Caribbean and Latin music in New York, nurturing styles such as mambo, pachanga, boogaloo, and ultimately salsa—a genre Fania helped define and popularize worldwide.

The label’s creation is a classic American immigrant story. Dominican bandleader and producer Johnny Pacheco, known for his pachanga music, partnered with attorney Jerry Masucci to launch Fania. With an initial investment of $5,000, the duo recorded and distributed Pacheco’s Cañonazo, the label’s first release, from Masucci’s office and Pacheco’s car trunk. Within a few years, Fania had become the definitive voice of Latin youth in New York City.

As historian Aurora Flores notes, Fania was born from the cultural upheaval of the 1960s—a time of civil rights movements, Cuban embargoes, and social justice protests. Latin music evolved in parallel, with artists blending traditional rhythms with the soul, R&B, and doo-wop influences they absorbed in New York’s melting pot. This fusion gave rise to Latin soul, or boogaloo, a sound that reflected the vibrancy of urban Latino communities.

From Boogaloo to Salsa

Fania Records spearheaded the boogaloo craze of the late 1960s with hits like Pete Rodriguez’s “I Like It Like That” (1966) and Joe Bataan’s cover of Curtis Mayfield’s “Gypsy Woman” (1967). Ray Barretto’s 1968 instrumental “Acid,” with its jazz-infused funk groove, exemplified the genre’s innovation. However, by the early 1970s, boogaloo had given way to a new, more cohesive sound: salsa.

Salsa, rooted in Cuban son traditions and enriched with influences from jazz and Latin soul, became the defining genre of Fania Records. Willie Colón famously described it as “the harmonic sum of all Latin culture.” The label’s roster included salsa pioneers like Richie Ray and Bobby Cruz, who delivered hits such as 1970’s “Agúzate,” and Puerto Rican singer Cheo Feliciano, whose debut solo album Cheo (1971) featured timeless tracks like “Anacaona.”

Héctor Lavoe, another Fania superstar, rose to fame with Willie Colón on albums like Cosa Nuestra (1969), which included the hit “Che Che Colé.” As a soloist, Lavoe released salsa anthems like “Mi Gente” (1975) and “El Cantante,” penned by Rubén Blades.

Celia Cruz, the undisputed “Queen of Salsa,” joined Fania in 1974, releasing Celia & Johnny with Pacheco. Featuring the classic “Quimbara,” the album cemented Cruz’s international stardom and solidified her place as one of salsa’s most beloved figures.

The Rise of the Fania All Stars

Fania’s influence extended far beyond individual artists. The Fania All Stars, an ever-evolving supergroup featuring the label’s brightest talents, became a global sensation. Their electrifying live performances—captured on albums like Live at the Cheetah (1972) and Live at Yankee Stadium (1975)—showcased the collaborative energy that defined Fania. Tracks like “Estrellas de Fania” highlight the improvisational brilliance of these concerts, featuring vocalists like Héctor Lavoe and Ismael Miranda alongside virtuoso instrumentalists.

A Lasting Cultural Impact

Fania’s music has remained vital across generations. Its influence is evident in contemporary hits like Cardi B’s “I Like It,” which samples Pete Rodriguez, and Bad Bunny’s “El Apagón,” which draws from Ismael Rivera. Moreover, several Fania recordings, including Celia & Johnny and Live at Yankee Stadium, have been inducted into the National Recording Registry, cementing their status as cultural treasures.

Today, Fania’s legacy endures through its master catalog, which includes over 15,000 songs and 7,000 compositions. Under Concord’s stewardship, the label continues to reach new audiences through remastered releases and curated compilations like Fania Records: The Latin Sound of New York (1964–1978).

Tracklist for Fania Records: The Latin Sound of New York (1964–1978):

Side A

Pete Rodriguez – “I Like It (I Like It Like That)”

Eddie Palmieri – “Café”

Joe Bataan – “Gypsy Woman”

Ray Barretto – “Acid”

Side B

Héctor Lavoe – “Mi Gente”

Richie Ray & Bobby Cruz – “Agúzate”

Cheo Feliciano – “Anacaona”

Celia Cruz & Johnny Pacheco – “Quimbara”

Side C

Ismael Rivera – “Las Caras Lindas”

Willie Colón – “Che Che Colé”

Héctor Lavoe – “El Cantante”

Ray Barretto – “Indestructible”

Joe Cuba Sextet – “El Ratón”

Side D

Fania All Stars – “Estrellas de Fania”

Willie Colón – “La Murga”

Willie Colón & Rubén Blades – “Pedro Navaja”

Fania Records transformed Latin music, creating a legacy that continues to inspire artists and listeners alike. Fania Records: The Latin Sound of New York (1964–1978) serves as both a tribute to this history and a vibrant introduction for a new generation of fans. As we celebrate 60 years of Fania, its music reminds us of the enduring power of cultural innovation and collaboration.

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Little Richard: Settin' The Woods On Fire – The Reprise Rarities (Orange Vinyl Pressing)

Little Richard, the self-proclaimed "Architect of Rock and Roll," made an unforgettable mark on the music world during the 1950s with his electrifying energy, raspy vocals, and flamboyant style. But by the early 1970s, the icon proved his genius was far from a relic of the past. Settin' The Woods On Fire – The Reprise Rarities captures this reinvention and creative resurgence, showcasing a collection of rare tracks from his early 70s comeback years with Reprise Records.

This stunning orange vinyl pressing, presented by Omnivore Recordings, dives into a treasure trove of unreleased gems, alternate takes, and experimental recordings that reveal a new dimension of Little Richard's talent. The LP, arriving November 22, is a must-have for collectors and fans eager to experience the untamed energy of Richard's funk-infused rock and soulful sound from this transformative period.

The Early 70s Comeback

In the early 70s, Little Richard signed with Reprise Records, marking his return to the mainstream music scene. His albums during this time captured a raw, unfiltered edge—melding soul, funk, R&B, and rock into a vibrant sound that resonated with a changing audience. Tracks from this period retain the high-octane energy of his earlier hits while embracing the groovy, experimental vibes of the era.

On this record, fans are treated to:

"Money Is": A funky anthem that grooves hard with social commentary.

"Still Miss Liza Jane": A soulful reinterpretation of a classic tune that underscores Richard's versatility.

"Do It To It": A high-energy jam that embodies his spirit of improvisation.

"Settin' The Woods On Fire" and "Mississippi": Previously unavailable tracks that highlight Richard's Southern roots with a fiery passion.

"Open Up The Red Sea": A deeply creative number filled with funky basslines and Richard's unmistakable vocal style.

"Why Don't You Love Me" and "Shake A Hand": Heartfelt soul cuts that channel emotional vulnerability alongside his signature power.

"Sneak The Freak": A playful track with a funky groove that will make you want to move.

The album also includes two alternate takes of "In The Name", an intense and spiritual composition, as well as two promotional radio spots for The Rill Thing, a cornerstone of his Reprise years.

The Revival of Little Richard’s Sound

During his Reprise years, Richard embraced a contemporary aesthetic while maintaining his signature flamboyant energy. The albums recorded in this era bridged generational gaps, bringing his artistry into the 70s with a “chunky and funky” flair, as some critics described.

This collection of rarities provides an even deeper look into Richard's creative process during this period. Tracks that were shelved at the time of recording now receive their due spotlight, presenting a fuller picture of Richard's fearless artistry and willingness to evolve.

The Vinyl Experience

The orange vinyl pressing of Settin’ The Woods On Fire – The Reprise Rarities is as visually captivating as the music it holds. This release is a celebration of Little Richard’s audacious creativity and his influence on multiple genres. Omnivore Recordings has gone above and beyond to create a package that pays tribute to the legacy of this rock and roll pioneer.

Why This Album Matters

Little Richard's 70s recordings are often overshadowed by his iconic 50s hits like "Tutti Frutti" and "Good Golly, Miss Molly," but they stand as an equally vital part of his legacy. These tracks show an artist unafraid to adapt, innovate, and experiment with his sound, cementing his place not just as a rock and roll pioneer but as a versatile musical force.

Track Listing

• Money Is
• Still Miss Liza Jane
• Do It To It
• Mississippi
• Settin' The Woods On Fire
• Open Up The Red Sea
• Why Don't You Love Me
• Shake A Hand
• Sneak The Freak
• In The Name (Alternate Take 1)
• In The Name (Alternate Take 2)
• Rill Thing Radio Spot 1
• Rill Thing Radio Spot 2

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Stevie Wonder's The Definitive Collection: A Timeless Celebration of Genius Now on Vinyl

Stevie Wonder, a music legend whose career spans decades, is bringing his iconic The Definitive Collection to vinyl for the first time on December 6th, 2024. This 21-track masterpiece offers a comprehensive journey through Wonder’s illustrious career, featuring his most beloved hits, rare insights, and special design elements that honor his legacy.

A Legacy of Hits on Vinyl

The Definitive Collection is a treasure trove of timeless tracks that showcase Wonder’s unparalleled artistry. From his early Motown years to his groundbreaking work of the 1970s and beyond, this collection captures the essence of his genius.

Tracklist Highlights:

"Fingertips – Pt. 2" – Stevie’s breakout hit and the first live recording to top the Billboard Hot 100.

"Superstition" – A funky anthem with a timeless groove, regarded as one of the greatest songs in music history.

"Signed, Sealed, Delivered I’m Yours" – A soulful declaration of love that still resonates across generations.

"You Are the Sunshine of My Life" – A tender ballad that won a Grammy Award for Best Male Pop Vocal Performance.

"Higher Ground" – A soulful exploration of spiritual resilience.

"I Wish" – A nostalgic, joyous reflection on childhood, delivered with infectious rhythm.

"Overjoyed" – A heartfelt and dreamy ode to love.

Exclusive Features

This vinyl edition is more than just music. It’s a collector's dream, including:

Rare Photos: Previously unseen images from Stevie’s storied career.

Braille Embossing: A thoughtful nod to Wonder’s unique experience and his role as an advocate for accessibility.

Full Track Credits: Insight into the talent behind each track.

Celebratory Essay: A deep dive into Wonder’s impact on music and culture.

Stevland Hardaway Morris, known to the world as Stevie Wonder, is a 25-time Grammy Award winner and a Kennedy Center honoree whose influence on popular music is immeasurable. Born in 1950 in Saginaw, Michigan, Wonder was signed to Motown’s Tamla label at just 11 years old. Blind from infancy, Wonder defied all odds to become one of the greatest singer-songwriters, musicians, and producers in history.

From his early Motown hits like “Uptight (Everything’s Alright)” to his socially conscious masterpieces like Songs in the Key of Life, Wonder’s music has transcended genres, generations, and cultures. Known for his inventive use of synthesizers and his pioneering spirit, he has left an indelible mark on R&B, funk, jazz, and pop music.

Why This Vinyl Matters

Bringing The Definitive Collection to vinyl isn’t just a format upgrade—it’s an invitation to experience Stevie Wonder’s music in its fullest, warmest fidelity. The inclusion of Braille embossing and archival elements underscores the thoughtfulness behind this release, ensuring that it resonates with both longtime fans and new listeners.

The Definitive Collection on vinyl is available for pre-order now. Whether you’re a lifelong fan or just discovering Stevie Wonder’s genius, this is a must-have addition to any music lover’s collection.

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Laird Jackson’s Life: A Sonic Journey of Soulful Exploration

An Artist Unbound

Laird Jackson, a vocalist and songwriter of unparalleled originality, delivers a masterclass in emotional and sonic storytelling with her latest album, Life. Known for her unwavering artistic authenticity, Laird views singing as an act of baring one’s soul. In Life, she traverses an expansive emotional and musical landscape, exploring themes of longing, liberation, quiet romance, profound sadness, and boundless joy.

Her voice, an instrument of immense depth and versatility, effortlessly navigates this rich terrain. Whether diving into dramatic mystery or embracing the dreamy tug of freedom, Laird’s artistry evokes a sense of wonder, vulnerability, and strength.

The Journey So Far

Born in Cleveland, raised in Detroit, and now based in New York, Laird’s journey is as varied as her music. Her discography reflects a commitment to personal growth and artistic exploration:

Quiet Flame (1994): A debut that introduced her as a soulful force in jazz.

Touched (2002): A critically acclaimed sophomore album that showcased her growing artistic confidence and range.

Life (2024): A triumphant return that distills two decades of experience, travel, and self-reflection into an awe-inspiring 15-track album.

Laird’s hiatus between projects was not a pause but a recalibration. “Life happened,” she explains. “I didn’t stop living. I traveled, wrote, recorded on other projects, and dealt with life’s twists and turns. It all feeds into my music.”

The Album: Life

Life is a 74-minute genre-bending journey that merges jazz, soul, folk, and cinematic soundscapes into a cohesive masterpiece. Featuring 15 tracks—10 originals and 5 carefully chosen covers—it is a testament to Laird’s ability to weave disparate elements into a unified, emotionally resonant experience.

The album’s centerpiece is Laird’s stunning voice, complemented by an extraordinary lineup of musicians and the masterful production of Grammy® winner Jeff Haynes, whose previous collaborations include Cassandra Wilson, Pat Metheny, and Brandi Carlile.

Notable Tracks

"I Believe": Opens the album with a message of hope and resilience, driven by Laird’s soaring vocals.

"Destiny": A hauntingly beautiful meditation on fate and free will, layered with intricate harmonies.

"Rainbows": A short yet impactful instrumental that provides a moment of quiet introspection.

"Life": The title track, embodying the album’s theme of embracing life’s complexities with grace.

"Wild is the Wind": A soulful reinterpretation of a classic, imbued with Laird’s unique touch.

Track Listing

I Believe (5:25)

Suhaili (5:56)

Dusk (4:45)

Make a Smile for Me (5:49)

Destiny (5:42)

In the Pines (3:51)

The River (4:59)

Rainbows (3:01)

Rounding the Sun (5:26)

The Wind (4:19)

Life (4:24)

World of Dreams (4:49)

Tender as a Rose (4:22)

Wild is the Wind (5:37)

Follow (5:07)

Musicians and Collaborators

Laird assembled a world-class roster of instrumentalists to bring Life to fruition:

Jeff Haynes (percussion, producer)

Marvin Sewell (guitar)

Gregoire Maret (harmonica)

Michael Manring (bass)

Charlie Burnham (violin)

Premik Russell Tubbs (sax/EWI)

Brandon Ross (guitar)

Eugene Friesen (cello)

Jennifer DeFrayne (piano)

Candace Coates (harp)

Critical Acclaim

Music critics and industry veterans are lauding Life:

“Laird Jackson is in possession of both a voice and a vision... Her sound emanates from that place where poetic fragility and soulful determination stand side by side.” – James Browne, WBGO

“A musical diamond buffed and polished, all facets flashing.” – Dan McClenaghan, All About Jazz

“Laird Jackson’s soulful vocal yoga... she stretches into uncompromising vocal positions effortlessly.” – Kathryn Shackleton, BBC Jazz

Production Excellence

Produced, recorded, and orchestrated by Jeff Haynes, with mixing and mastering by Corin Nelsen at SynchroSonic Productions, Life is a sonic masterpiece. The album’s lush soundscapes and meticulous attention to detail reflect the collaborative effort of a dedicated team.

Life is more than an album—it’s a journey into the heart and soul of an artist who refuses to be confined by genre or expectation. Laird Jackson’s triumphant return solidifies her place as a luminary in the world of alternative jazz and beyond. For listeners seeking music that challenges, soothes, and inspires, Life is an essential addition to their collection.

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Exploring the Legacy of Motown: Christoph Maus’s Tamla Motown Worldwide 2

Motown Records, synonymous with the soulful sounds that shaped an era, continues to captivate audiences and collectors worldwide. Christoph Maus, a celebrated music historian, delivers a monumental tribute to this legacy with Tamla Motown Worldwide 2 – An Anthology Of Original Singles & EP Releases 1959 to 1971. This expansive book, published by Maus of Music in 2024, is a dream come true for Motown enthusiasts and vinyl collectors, meticulously documenting over 3,000 Motown singles and 7-inch EPs released across the globe.

A Global Treasure Trove

Maus’s Anthology goes far beyond the well-documented American Motown catalog. It uncovers the rare and lesser-known international releases, showcasing the extraordinary reach of Motown’s music. Through vibrant images and detailed annotations, the book takes readers on a journey through picture sleeves, labels, and pressing variations from countries as diverse as Japan, Brazil, France, South Africa, and more.

Every page bursts with visuals of records that many have never encountered, even after decades of collecting. These artifacts capture the unique presentation styles of different regions, reflecting how local cultures interpreted and marketed the universal appeal of Motown’s music.

Unparalleled Detail and Organization

The 456-page hardcover volume is a masterclass in cataloging and presentation. For each record, Maus provides essential details such as:

• Title
• Catalog Number
• Release Date
• Country of Origin
• Label Variations
• Notable Features

This rigorous documentation extends to insightful commentary on regional preferences, the evolution of release schedules, and the logistical challenges of exporting Motown’s music during its heyday. Such information reveals the intricate strategy behind Berry Gordy’s global expansion of the Motown empire.

A Feast for the Eyes and Mind

What truly sets Tamla Motown Worldwide 2 apart is its visual splendor. The book is packed with full-color images of record covers, many of which include stunning artwork unique to their country of origin. From minimalist designs to elaborate illustrations, these sleeves tell a story of how Motown was reimagined for audiences around the world.

The visual journey is not just for collectors—it’s a fascinating glimpse into how music connects across cultures. Whether it’s a French EP with a bold graphic design or a Japanese single with meticulous attention to detail, each piece adds another layer to the Motown story.

Why This Book Matters

Motown is more than music—it’s a cultural movement that transcended racial and geographical boundaries. Maus’s anthology highlights the ingenuity of Motown’s distribution network and its role in breaking barriers, creating a universal language of soul, R&B, and pop.

This volume isn’t just a catalog; it’s a historical document. It captures a period of immense creativity, innovation, and ambition, serving as a testament to the enduring legacy of Motown’s artists, producers, and visionaries.

Perfect for Collectors and Historians

Whether you’re a seasoned collector, a music historian, or simply a fan of Motown, Tamla Motown Worldwide 2 offers something extraordinary. It provides unparalleled access to a world of records that most fans can only dream of owning, while also serving as a scholarly resource that deepens our understanding of Motown’s global impact.

Key Features of the Book

• Hardcover: Durable and elegant design for collectors.
• Page Count: 456 pages of full-color imagery and detailed text.
• Publisher: Maus of Music (Germany).
• Scope: Over 3,000 singles and EPs spanning 1959–1971.
• Content: Comprehensive details on releases, including regional variations and marketing strategies.

Christoph Maus’s Tamla Motown Worldwide 2 is more than a book—it’s a celebration of one of the most influential labels in music history. It offers an immersive experience that pays homage to Motown’s artistic brilliance and global resonance. For anyone who cherishes the sounds of Tamla Motown, this anthology is an essential addition to their library.

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Christian McBride & Edgar Meyer – Who’s Gonna Play the Melody?

A Historic Collaboration Between Two Bass Virtuosos

The double bass, often relegated to the rhythm section, is given center stage in Who’s Gonna Play the Melody?, the much-anticipated album from two of the most accomplished and innovative bassists in the world: Christian McBride and Edgar Meyer. For this unique collaboration, McBride and Meyer break away from the traditional roles of bassists and enter a musical realm where melody, harmony, and rhythm are all within their control. The album’s title, Who’s Gonna Play the Melody?, is an intriguing invitation to the listener to consider the possibilities of bass as a lead instrument — a challenge that these two musicians embrace with unparalleled virtuosity.

Both McBride and Meyer have long been known for their groundbreaking contributions to their respective genres: McBride as a jazz virtuoso and Meyer as a classical and bluegrass innovator. Their collaboration on this album brings together their collective genius and explores a wide range of musical styles, from jazz and classical to bluegrass and folk, all while focusing on the narrative that the bass itself can tell.

Christian McBride: The Jazz Maestro

Christian McBride’s career has spanned multiple decades and genres, making him one of the most influential bassists of his generation. Known for his fluid and dynamic playing, McBride’s deep understanding of jazz has led him to collaborate with legends such as Herbie Hancock, Pat Metheny, and Freddie Hubbard, as well as to lead his own ensembles with his unmistakable sound. McBride’s work often stretches beyond jazz into funk, soul, classical, and even pop, making him a versatile and in-demand artist across various musical landscapes.

On Who’s Gonna Play the Melody?, McBride brings his signature groove and improvisational spirit to the forefront, offering bass lines that are both rhythmically compelling and melodically inventive. His ability to balance complex technicality with soulfulness is on full display throughout the album.

Edgar Meyer: The Classical and Bluegrass Innovator

Edgar Meyer is widely regarded as one of the greatest bassists in classical music, having expanded the scope of the instrument well beyond its traditional role. Known for his incredible technical skill and his creative approach to composition, Meyer has performed with a wide range of orchestras, chamber ensembles, and bluegrass bands. His collaborations with artists like Yo-Yo Ma, Bela Fleck, and Joshua Bell have earned him accolades in both the classical and folk music worlds.

Meyer’s work on Who’s Gonna Play the Melody? demonstrates his unorthodox approach to the bass. His complex, harmonically rich lines blend classical techniques with a more improvisational sensibility, resulting in a unique sound that stretches the boundaries of both jazz and classical music. Meyer’s bass playing is expressive and lyrical, often becoming the melodic voice in his collaborations with McBride.

Breaking Boundaries and Redefining the Bass

Who’s Gonna Play the Melody? is more than just a collaboration between two great bassists; it’s an exploration of the double bass’s full range and its potential as a lead instrument. In jazz, the bass typically plays a supportive role, laying down the foundation for the melodies played by horns or piano. However, McBride and Meyer turn this notion on its head, allowing their instruments to take the lead and share the melody, often in unexpected ways.

The album’s title itself is a playful challenge to the traditional roles of the double bass. In the hands of McBride and Meyer, the bass is no longer a background instrument but rather a full-bodied, melodic voice that is capable of leading the musical conversation. The question "Who’s Gonna Play the Melody?" suggests that both bassists are equally capable of playing the lead role — a dynamic that fuels the entire album.

Throughout the record, McBride and Meyer explore a range of sounds and styles, blending jazz improvisation with classical sophistication and bluegrass authenticity. The result is a work that defies genre, with the basses carrying both the rhythm and the melody in an intricate dance.

Musical Style and Tracks: A Genre-Defying Exploration

The album moves through a variety of musical landscapes, each highlighting the unique contributions of both McBride and Meyer. While they share a common instrument, their individual musical voices shine in different ways throughout the album.

"Melodic Interlude": This track opens with a delicate, flowing melody played by Meyer, with McBride’s bass providing a rhythmic foundation beneath. The track is a beautiful showcase of Meyer’s classical technique, with McBride playing a more supportive role that complements the intricacies of Meyer’s lines. The interplay between the two is seamless, creating a sense of dialogue between the two instruments.

"Funky Blues": Here, McBride takes the lead, bringing his funk-driven style to the forefront. His bass lines are syncopated and groove-heavy, with Meyer adding harmonic texture. The result is a track that blends the rhythmic drive of funk with the improvisational freedom of jazz, with both bassists providing counter-melodies that interplay with one another.

"Bluegrass Bounce": A nod to Meyer’s bluegrass roots, this track brings a faster tempo and rhythmic intensity, with both McBride and Meyer playing in a more percussive style. The energetic interplay between them is infectious, with the basses mimicking the rapid-fire plucking and strumming techniques of bluegrass guitar and banjo.

"Classical Journey": One of the most striking pieces on the album, "Classical Journey" features a more subdued, lyrical approach, with Meyer playing an intricate classical line while McBride adds harmonic depth. The piece takes the listener through various moods, from reflective and slow to dynamic and fast, all within the framework of classical music.

"The Improvisational Conversation": A standout track, this piece allows McBride and Meyer to take center stage in a completely improvisational setting. The two bassists engage in a complex musical conversation, building off one another’s ideas and creating something entirely new in real time. The track is a perfect example of their synergy, showcasing the creativity and skill that both bring to the table.

The Chemistry Between McBride and Meyer

What makes Who’s Gonna Play the Melody? so special is the profound musical chemistry between McBride and Meyer. Both artists are incredibly skilled at their craft, but it is their ability to communicate through their instruments that truly sets this album apart. There is a palpable sense of mutual respect and understanding between them, which allows the music to flow organically and effortlessly.

McBride’s rhythmic and groove-based sensibilities complement Meyer’s more harmonic and lyrical approach, and the result is a dynamic interplay that is both complex and accessible. While the basses sometimes take turns playing the lead, they are always in sync, creating a unified sound that is greater than the sum of its parts.

A Game-Changing Bass Album

Who’s Gonna Play the Melody? is a groundbreaking album that challenges the traditional boundaries of the double bass and redefines what is possible with the instrument. Christian McBride and Edgar Meyer are two of the finest bassists in the world, and their collaboration on this album is a testament to their extraordinary skill and creative vision.

Through their blend of jazz, classical, bluegrass, and folk influences, McBride and Meyer prove that the bass can be both a melodic and rhythmic force, capable of carrying the entire musical conversation. Who’s Gonna Play the Melody? is an album that will resonate with bass enthusiasts, jazz aficionados, and music lovers alike, offering a fresh perspective on the possibilities of the double bass.

Track List:

• Melodic Interlude
• Funky Blues
• Bluegrass Bounce
• Classical Journey
• The Improvisational Conversation
• Harmonic Flow
• Rhythm and Melody
• Melody in Motion
• Echoes of the Bass

Fans of Christian McBride and Edgar Meyer will find this album to be a must-listen, showcasing the boundless creativity of two of the world’s greatest bassists. 

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Homer | Ensatina

Homer Steinweiss, known simply as Homer in this latest solo outing, is a name synonymous with funky, soulful rhythms. As one of the most in-demand session drummers of the past two decades, Steinweiss has contributed to some of the most iconic recordings of modern deep soul, notably with artists like Sharon Jones & the Dap-Kings, Amy Winehouse, and Charles Bradley. His drum work has been a driving force behind some of the most distinctive sounds in contemporary soul and funk music, particularly within the renowned Daptone Records family.

However, with Ensatina, Homer steps out from behind the kit and into the spotlight as a solo artist, offering a record that strays from his usual percussion-heavy contributions. This album presents a more experimental take on soul music, blending deep funk elements with future soul, and showcasing a much broader creative range than his previous work as a drummer.

The Evolution of Homer: From Drummer to Artist

For years, Homer Steinweiss’s powerful and intricate drumming laid the foundation for countless soul hits. His unique style—characterized by a raw, funky pulse—has contributed to the signature sounds of influential projects in the deep soul and neo-soul scenes. He’s worked with soul powerhouses such as Sharon Jones, Amy Winehouse, and Charles Bradley, earning a reputation as a master of rhythm who brings an unmatched level of energy to the recording studio.

But with Ensatina, Homer steps into a more multi-dimensional role. Rather than simply driving the rhythm section, Homer presents himself as an artist who crafts full musical landscapes. The album is a departure from his usual focus on traditional soul and funk; instead, it embraces the more atmospheric, experimental, and future-focused styles that are emerging within contemporary soul music.

Key Collaborators:

Ensatina features a cast of talented collaborators, bringing in soulful and unique voices that complement Homer’s vision. Artists like Kirby, Hether, Flikka, and Girl Named Golden provide vocals that shine through on the album, often taking center stage in the tracks. These voices infuse the music with a fresh, modern energy, creating a dynamic contrast to Homer’s typically understated presence on the album. These singers’ contributions are essential to the album’s tone, giving the listener a more complete picture of Homer’s artistic vision.

Album Overview: Track-by-Track

Ensatina showcases Homer’s shift toward a more forward-thinking, soulful sound, and each track reveals a new layer to this sonic exploration. Here’s a look at some of the standout songs from the album:

Racecar Driver

This opening track sets the tone for the album with its sleek, modern vibe. The rhythm section, led by Homer, propels the song with a driving pulse, while Kirby’s smooth, soulful vocals lay down the perfect contrast.

Deep Sea

A deeper, atmospheric track that takes listeners into an ocean of sound. The song builds slowly, with atmospheric effects and ethereal vocals. It’s an introspective journey into soul’s more experimental, dreamlike territory.

Camera

A vibrant, up-tempo song with a groove that’s sure to get heads nodding. The track’s catchy rhythm is paired with sharp, evocative lyrics, creating a perfect blend of deep funk and modern soul.

Goldie

An homage to the glimmer of luxury and aspiration, Goldie is a seductive and soulful track. The song builds around a deep, steady groove with an almost hypnotic quality, showcasing Homer’s ability to craft soundscapes that pull the listener in.

Hide It Behind The Light I’m Shining Through

This track takes a more introspective turn, with Homer’s production highlighting the vocal performance of Girl Named Golden. The lyrics are emotionally charged, and the overall mood is melancholic yet uplifting, offering a nuanced exploration of self-perception and vulnerability.

Wishing Well

A soulful, reflective song with a laid-back vibe, Wishing Well is a highlight of the album. Hether’s vocals soar over a soft, groovy rhythm, delivering a heartfelt performance.

Now That It’s Over

This track presents a smoother, more jazzy side of Homer’s production, with Flikka’s haunting vocals providing a sense of resolution. The song carries an emotional weight, highlighting Homer’s ability to seamlessly blend soulful melodies with complex rhythms.

Rollin’

The album closes on an upbeat note with Rollin’, a feel-good groove that showcases Homer’s unique blend of old-school funk and contemporary soul. The track is catchy and rhythmic, bringing the album full circle with a track that brings listeners to their feet.

Musical Style and Themes: A Future Soul Journey

Ensatina represents Homer’s exploration of new sounds, moving away from his typical role as a drummer in deep funk and neo-soul to a more modern, atmospheric, and genre-defying style. While there are familiar funk grooves throughout, the album delves into future soul, integrating electronic textures, ethereal vocals, and experimental arrangements. This juxtaposition of past and future sounds offers a fresh perspective on soul music, positioning Homer as an innovator rather than just a sideman.

Lyrically, Ensatina touches on themes of self-reflection, personal growth, and emotional depth, which are common threads in contemporary soul music. The album’s more introspective moments, such as “Hide It Behind the Light I’m Shining Through” and “Now That It’s Over,” reflect a thoughtful and vulnerable side of Homer’s artistry.

Why You Should Listen

Ensatina is a transformative album for Homer Steinweiss, one that proves he’s not just a legendary drummer, but a talented multi-faceted artist with an eye for future soul music. The album pushes boundaries while still maintaining the soulful roots that have made Homer’s past work so beloved. For fans of deep funk, neo-soul, and experimental soul, Ensatina is an essential listen.

Whether you’re a longtime admirer of Homer’s drumming or a newcomer to his solo work, Ensatina showcases his true creative potential. It’s a must-have for collectors and anyone interested in the evolution of contemporary soul music.

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BILL EVANS TRIO’S MASTERPIECE EXPLORATIONS

Craft Recordings is proud to unveil the next installment in its acclaimed Small Batch series—a meticulously crafted reissue of Bill Evans Trio’s final studio LP, Explorations. Arriving December 13, Explorations marks the series’ seventh installment, which has previously spotlighted jazz luminaries such as John Coltrane, Miles Davis and Thelonious Monk. Strictly limited to 2,500 pressings worldwide.

As with all titles in the series, Explorations features lacquers cut from the original tapes (AAA) by Bernie Grundman and is pressed on 180-gram vinyl at RTI using Neotech’s VR900-D2 “super vinyl” compound. Using a one-step lacquer process (as opposed to the standard three-step process), this exacting technique allows for the utmost level of musical detail, clarity and dynamics while reducing the amount of surface noise on the record to ensure that each pressing is a true representation of the original lacquer and is as close as the listener can get to the original recording. Completing the Explorations package are new liner notes by Syd Schwartz, a longtime writer, music marketing executive and author of the popular Jazz and Coffee Substack (@jazzandcoffee on Instagram).

Praised by such esteemed outlets as Mojo (“superb clarity”), Clash (“breathtakingly majestic”), Goldmine (“sonically immaculate”), Analog Planet (“sounds better than ever”) and Tracking Angle (“excellent”), the Small Batch series features handpicked titles from Craft’s unparalleled catalog. Each pressing is presented in a foil-stamped, linen-wrapped individually numbered slipcase. The vinyl disc—extractable through a unique, frictionless ribbon pull tab—is housed in a reproduction of the album’s original tip-on jacket from Riverside Records and protected by an archival-quality inner sleeve. Discover more today at CraftRecordings.com/SmallBatch.   

One of the most influential artists in the history of jazz, Bill Evans (1929–1980) was known for his lyrical compositions, his matchless approach to the piano and, perhaps most importantly, his conversational interplay within a trio setting—a technique that he developed with bassist Scott LaFaro and drummer Paul Motion at the turn of the ’60s. Despite only being together for 20 months, the group’s groundbreaking work shifted the jazz landscape. Known as Evans’ classic trio, “their innovations were so transformative that their impact reaches bands of all sizes across multiple genres,” argues Syd Schwartz. “Wherever group improvisation and musical dialogue are found, the influence of the Bill Evans Trio is never far away.”

By 1959, Bill Evans was a fast-rising star, thanks to high-profile stints with Miles Davis (appearing on the trumpeter’s 1959 masterpiece, Kind of Blue) and composer George Russell, as well as through his earliest albums as a leader, including his 1956 debut, New Jazz Conceptions, and 1958’s Everybody Digs Bill Evans. But the pianist was poised to elevate his game and sought out fellow musicians who shared a similar musical vision—one that found them “contributing to the musical conversation equally and eschew[ing] traditional roles in a quest to unlock deeper rhythmic and harmonic possibilities,” explains Schwartz, who adds that Evans found “palpable chemistry” with LaFaro and Motion. Over the next year and a half, the group would push the boundaries of traditional trio interplay, leaving four hugely influential albums in their wake.

That December, the trio recorded their debut, Portrait in Jazz, for Riverside Records. Schwartz writes, “While Portrait in Jazz may have been Evans’ fifth record as a leader, for many, this is the album where Bill Evans became Bill Evans. In a process of dismantling the traditional jazz trio approach—which would become more fully realized over the next year—the rhythm section emerged from the shadows, establishing a group equilibrium that expanded conversational and improvisational possibilities.”

Riding a wave of critical acclaim and adoration from fans, the trio took to the road that summer, returning to the studio on February 2, 1961, to record their follow-up, Explorations, with producer and Riverside founder Orrin Keepnews. Yet, despite the group’s success, the session was marred with tension. By the end, both Evans and Keepnews feared the worst—that the musicians’ frustrations had permeated the recordings.

However, Schwartz writes, “To the surprise of both artist and producer, the music recorded that day was BRILLIANT, with Evans remarking fifteen years later that Explorations was one of his favorite albums.” He continues, “What’s clear in listening to Explorations in full sonic glory is just how far this trio had evolved in only a year. The traditional roles of soloist and accompanist had been voted out of office, and replaced with an elegant, democratic exchange of ideas that completed the illusion of one musician in three bodies.”

That concept is illustrated throughout the album’s eight tracks, as the trio deftly performs a mix of standards and modern jazz compositions. Among the highlights is the John Carisi-penned opener “Israel.” The piece, which Evans revisited several times during his career, finds the group employing the subtle technique of “forward phrasing,” in which the players hit notes just ahead of the underlying rhythm.

Another selection that became associated with Evans was “Nardis.” Written by Miles Davis for Cannonball Adderley’s 1958 LP, Portrait of a Cannonball, the tune was never recorded by Davis himself. Evans, however, would put it to tape over a dozen times in the following years. Similarly, the pianist often revisited and reimagined the ballad “Elsa,” which was composed by his close friend and frequent collaborator Earl Zindars and made its debut on Explorations.

The trio also put their unique twist on five standards: “How Deep Is the Ocean?,” “Sweet and Lovely,” “I Wish I Knew,” “Haunted Heart” and “Beautiful Love.” The latter track, in particular, had become part of the group’s regular setlist during live shows, but, as Schwartz notes, “Their first take was unsatisfactory to Bill’s ears, requiring them to take another crack at it later that day.” The second take, which appeared on the original album, he adds, “is a superb vehicle to hear the trio finish each other’s sentences as they aspire to ego-less glory.”

Explorations was released in March 1961 to glowing reviews across the country and beyond. Months later, Billboard named it the Critics Best Piano LP of the year. In retrospectives, meanwhile, the album endures as a masterpiece, including those by All About Jazz, in which David Rickert writes, “The trio works magic here, breathing fresh air into standards . . . and creating the illusion that these songs were written just so someone like Evans could play them.” Thom Jurek at AllMusic adds, “Explorations is an extraordinary example of the reach and breadth of this trio at its peak.”

Weeks later, the group embarked on a now-iconic residency at the Village Vanguard—later resulting in two live albums (Sunday at the Village Vanguard and Waltz for Debby). Tragically, these would prove to be their final recordings together. Not long after, 25-year-old Scott LaFaro was killed in an automobile accident. A devastated Evans would take months to return to the stage or studio. While one can only imagine what directions the classic trio might have taken, the legacy they left behind is clear, as recordings like Explorations continue to inspire.

Evans, meanwhile, continued to innovate as a musician and composer, frequently working in the trio format that he had established with LaFaro and Motian. While his career spanned less than three decades, the prolific artist released over 50 albums as a leader, garnering 31 GRAMMY® nominations along the way. In 1994, he was honored posthumously with the GRAMMY® Lifetime Achievement Award. Cited as an influence by everyone from Herbie Hancock and Chick Corea to Eliane Elias and Robert Glasper, Bill Evans’ work continues to inspire new generations of musicians today.

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Rediscovering Ahmad Jamal’s Ahmad Jamal 73: A Soulful Jazz Masterpiece on Fender Rhodes

The 1973 release Ahmad Jamal 73, now available in a meticulously crafted Japanese paper sleeve edition, is an album that captures a unique chapter in the career of jazz pianist Ahmad Jamal. Known for his exquisite use of space, rhythm, and melody on the acoustic piano, Jamal ventured into new territory here, experimenting with the Fender Rhodes electric piano—a bold choice that led the album to be initially overlooked by jazz traditionalists. However, over time, this adventurous step has solidified Ahmad Jamal 73 as a cult classic, celebrated by later generations for its cool, exploratory vibe and remarkable blend of soul, jazz, and electric groove.

A New Platform for Expression: Fender Rhodes

Jamal’s switch to the Fender Rhodes on this album marked a significant departure from his typical acoustic stylings, which had earned him a dedicated following. At the time, many purist listeners couldn’t reconcile Jamal’s refined jazz approach with the electric sounds of the Rhodes, a keyboard often associated with funk, soul, and fusion rather than traditional jazz. But this choice was precisely what allowed Ahmad Jamal 73 to stand out from his previous works. The electric sound created a new backdrop for Jamal’s deeply soulful, spacious playing and added warmth and texture to his distinctive style.

The result was an album that retains Jamal’s signature touch and restraint but with a modern twist. The Fender Rhodes allowed him to explore tonal richness in a way that contrasted beautifully with the percussive clarity of the acoustic piano. This experimentation made the album accessible to a broader audience, bridging the gap between jazz aficionados and fans of funk, R&B, and soul.

Richard Evans’ Touch: Soulful Chicago Backings

The album’s production was handled by Richard Evans, a legendary bassist, arranger, and producer known for his work at the forefront of Chicago’s vibrant jazz scene. Evans’ touch brought a sophisticated yet soulful edge to the project, providing Jamal with richly layered arrangements that complemented the mellow warmth of the Fender Rhodes. His arrangements lean into a modern jazz-funk sound without sacrificing the emotional depth and improvisational freedom that Jamal is known for.

Evans’ influence is especially clear in the album’s rhythm section, which offers a smooth, cohesive groove that keeps each track grounded while allowing Jamal’s solos to soar. With an ear for subtle yet powerful arrangements, Evans crafted a sound that felt contemporary, chic, and deeply rooted in Chicago’s jazz-funk heritage. This collaboration marked a period of reinvention for Jamal, introducing his music to new audiences and helping him break away from the traditional molds that had previously defined his work.

Highlights of Ahmad Jamal 73: Soul Meets Innovation

The album includes several unforgettable tracks that exemplify Jamal’s seamless fusion of jazz improvisation with soulful grooves. Each song has a distinct character, and Jamal’s reinterpretations of popular hits from the era give the album an engaging, accessible quality. Key tracks include:

"World Is a Ghetto" – A cover of War’s classic song, this track stands out as a sublime reimagining. Jamal’s Fender Rhodes takes on a contemplative, almost cinematic quality, and his approach to the melody is understated but full of soul. The subtle interplay between Jamal’s keys and Evans’ backing band creates a textured, immersive soundscape, making this track one of the album’s most memorable.

"Superstition" – Jamal’s version of Stevie Wonder’s "Superstition" showcases his ability to blend jazz with funk. The rhythm section delivers a driving beat, while Jamal’s Rhodes work is both playful and bold, capturing the song’s infectious groove and translating it into his unique style. The result is a track that feels fresh and experimental, pushing the boundaries of jazz into new, groovy terrain.

"Children of the Night" – This track is a darker, more introspective piece that allows Jamal to explore a somber, haunting mood. His restrained, spacious playing adds an almost ethereal quality to the song, while the backing band provides a steady, pulsing rhythm. It’s a powerful example of Jamal’s ability to evoke emotion through minimalism and restraint.

"Soul Girl" – Featuring a breezy, uplifting melody, "Soul Girl" brings a lively, upbeat energy to the album. Jamal’s nimble playing is complemented by Evans’ lush arrangement, creating a sound that’s both sophisticated and light-hearted. It’s an easy, joyful listen that underscores Jamal’s versatility and sense of play.

Why Ahmad Jamal 73 Endures: A Timeless Soundscape

Over the decades, Ahmad Jamal 73 has become a hidden gem in Jamal’s extensive discography, gaining appreciation among jazz enthusiasts, DJs, and collectors alike. The album’s blend of jazz, funk, and soul, coupled with Jamal’s adventurous use of the Fender Rhodes, has made it a favorite for those looking for a fresh take on jazz that embraces a soulful, groove-oriented sound.

Today, Ahmad Jamal 73 is seen as an album that was ahead of its time, capturing a moment when jazz was expanding and incorporating elements from other genres. Its enduring appeal lies in its ability to transcend the expectations of genre, offering listeners a captivating experience that’s as relevant and exciting now as it was in the early 70s.

For anyone seeking a deeper understanding of Ahmad Jamal’s artistry, Ahmad Jamal 73 is an essential listen—a bold, innovative album that celebrates the artist’s willingness to evolve and push boundaries. Whether you’re a longtime fan or a newcomer to his music, this album offers a unique glimpse into the mind of a jazz legend unafraid to experiment and explore.

Available Now: Ahmad Jamal 73 is currently available in a collectible Japanese paper sleeve edition, giving fans an opportunity to experience this classic in a high-quality, beautifully designed format. It’s a worthwhile addition to any jazz lover’s collection, a tribute to one of the coolest and most innovative albums of its time.

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A Night of Legends: Celebrating the Titans of Funk and Soul at NJPAC

Date: November 14, 2024

Location: Prudential Hall, Betty Wold Johnson Stage, NJPAC

Prepare for an electrifying night at the New Jersey Performing Arts Center (NJPAC) on the Betty Wold Johnson Stage at Prudential Hall, where a powerhouse lineup of legendary musicians and artists will gather on November 14 to pay tribute to the unmatched legacy of funk, soul, and jazz fusion. With luminaries like George Clinton, Bilal, Nona Hendryx, Christian McBride, Savion Glover, and Vernon Reid taking the stage under the musical direction of Ray Chew, this event promises an unforgettable celebration of iconic sounds from P-Funk, Prince, James Brown, and beyond. It’s a rare opportunity to see living legends from diverse backgrounds united in a tribute to the rhythms and grooves that transformed popular music.

A Star-Studded Cast of Funk and Soul Icons

This unique event at NJPAC is bringing together an unparalleled roster of iconic talent, with each artist adding their own voice and flair to the night:

Bilal – Known for his GRAMMY® Award-winning collaborations and his fearless approach to soul, Bilal is a voice that commands attention. Having won a GRAMMY for his contribution to Kendrick Lamar’s To Pimp a Butterfly and been nominated for tracks like “Little One” and “Matter,” Bilal’s emotionally charged style adds a deeply soulful layer to the night. His presence embodies the transformative power of funk and soul in today’s music landscape.

Nona Hendryx – Celebrating 50 years of the chart-topping hit “Lady Marmalade,” Nona Hendryx, a founding member of Labelle, brings her boundary-pushing artistry to the stage. Known for her fusion of music with multimedia art, performance, and activism, Hendryx represents the forward-thinking spirit of funk that has always been about more than just music. Her influence on the industry as a vocalist and cultural trailblazer continues to resonate, making her presence at this event particularly special.

Christian McBride – With an illustrious career as an 8-time GRAMMY winner and 16-time nominee, Christian McBride is a virtuoso bassist, composer, bandleader, and NJPAC’s own Jazz Advisor. Known for his work across genres—everything from Monk to funk—McBride brings a versatility and dynamism to the performance that few can match. His soulful basslines provide the rhythmic backbone to an evening celebrating the enduring legacy of funk.

Savion Glover – Often hailed as the best tap dancer of his generation, Tony Award-winning Savion Glover infuses the show with his signature blend of rhythm, energy, and musicality. Known for Bring in ‘da Noise, Bring in ‘da Funk and Shuffle Along, Glover’s mesmerizing style transforms the stage into a rhythmic experience, connecting the roots of jazz dance with the pulsating beats of funk and soul.

Vernon Reid – As the GRAMMY-winning guitarist and founder of the iconic band Living Colour, Vernon Reid is renowned for his lightning-fast solos and genre-bending artistry. His mastery of heavy metal, punk, funk, R&B, and avant-garde jazz has made him a revered figure in modern music. His unpredictable, eclectic style is a perfect fit for a night dedicated to pushing the boundaries of sound.

George Clinton – No celebration of funk would be complete without George Clinton, the Godfather of Funk. As the legendary frontman of Parliament-Funkadelic, Clinton has pioneered the genre, producing some of the most influential albums in modern music. With five decades of music and countless hits, Clinton’s presence guarantees an explosion of energy and the authentic funk spirit that has influenced generations of musicians.

Directed by Ray Chew: The Perfect Conductor for an Epic Night

The event’s musical direction is in the hands of Ray Chew, whose work on Dancing with the Stars, Showtime at the Apollo, and Saturday Night Live has established him as one of the most versatile and respected musical directors in the industry. Chew’s experience orchestrating complex, high-energy shows makes him the ideal leader for a night that spans decades and genres, from soul and jazz to funk and hip-hop. His deep understanding of both traditional and contemporary music ensures that each artist’s contribution shines while also celebrating the genre’s collective power.

A Celebration of Funk, Soul, and Cultural Impact

More than just a concert, this event is a celebration of the cultural impact of funk, soul, and jazz fusion. These genres have long been vehicles for social and political commentary, and the artists performing tonight have each used their platforms to challenge norms, push artistic boundaries, and make bold statements. By honoring legends like P-Funk, James Brown, and Prince, the evening also pays homage to the musicians who have continuously inspired and influenced new generations with their daring innovations and unmatched artistry.

Don’t Miss This One-of-a-Kind Experience

An event of this magnitude—featuring some of the most influential names in funk, soul, jazz, and beyond—doesn’t happen every day. Fans of funk and soul music, jazz enthusiasts, and anyone with an appreciation for groundbreaking artistry will find this night an unmissable spectacle. With each artist bringing their individual style and flavor to the table, and with Ray Chew orchestrating the evening, this celebration of legends is set to be a high-energy, immersive experience that will leave the audience inspired, entertained, and profoundly moved.

Adrian Younge’s Linear Labs: São Paulo: A Sonic Fusion of Global Soundscapes

Adrian Younge, celebrated composer, producer, and multi-instrumentalist, is once again reshaping the landscape of modern music with his upcoming album, Linear Labs: São Paulo, set to be released on November 15th, 2024. This album is an immersive journey through genre-blending compositions that capture the rich musical heritage of São Paulo, Brazil, filtered through Younge’s unique style, which has been celebrated for merging retro sounds with modern sensibilities. The project is a collaborative tour-de-force, featuring a global roster of renowned musicians, from Snoop Dogg to Middle Eastern singer Liraz, British jazz vocalist ALA.NI, and Afro-futuristic soul singer Bilal. Fans can also look forward to a special bonus track with Stereolab’s iconic vocalist Lætitia Sadier.

A Tribute to Brazilian Music Traditions

Linear Labs: São Paulo is not just an album; it’s an homage to the revolutionary Brazilian musical movements of the 1960s and ’70s, notably the Música Popular Brasileira (MPB) and Tropicália eras. These genres emerged as cultural and political statements, blending traditional Brazilian music with contemporary global influences, especially jazz, funk, and psychedelia. Younge’s project draws deeply from these influences, creating an album that is both reverent to its roots and forward-looking.

Among the tracks is the single “Nossa Cor” ("Our Color"), a collaboration with Brazilian actress and singer Samantha Schmutz. The track exemplifies the album's ethos, merging the classic, heartfelt Brazilian ballad style with Younge’s lush, cinematic production. This single is a soulful love song that captures the vibrant sounds and cultural depth of São Paulo, punctuated by Younge’s intricate arrangements and Schmutz’s emotive vocals.

A Lineup of Global Talents

The eclectic lineup on Linear Labs: São Paulo brings together diverse voices and styles that complement the album’s Brazilian foundation. Each featured artist contributes their own cultural and musical perspective, making this album a unique meeting ground for different genres and traditions:

Snoop Dogg: The legendary West Coast rapper brings his smooth lyrical style to the mix, adding a hip-hop layer to the Brazilian rhythms and textures.

Liraz: A renowned Middle Eastern singer, Liraz’s haunting voice introduces Persian influences to the album, intertwining traditional sounds with Younge’s sophisticated production.

ALA.NI: Known for her evocative jazz vocals, London-based ALA.NI adds a layer of elegance and introspection, evoking the golden age of jazz vocalists while staying fresh and relevant.

Bilal: With a style rooted in Afro-futurism and neo-soul, Bilal brings a warm, rich texture to the project, resonating with Younge’s lush orchestration.

Lætitia Sadier: The collaboration with Stereolab’s Lætitia Sadier on a bonus track is a special inclusion that ties the album’s jazz and psychedelia influences with a European avant-garde sensibility, creating an unexpected but fitting bridge between cultures.

Production Mastery with Vintage Flair

A master of analog recording, Adrian Younge’s production style has long been revered for its vintage authenticity. For Linear Labs: São Paulo, he has carefully crafted each track to bring out the warmth and organic qualities of live instruments, using old-school recording techniques that are rarely seen in today’s digital-dominated industry. Every layer—from rhythm to melody to harmony—was meticulously produced to capture the raw, immersive sound of classic Brazilian albums.

Younge’s dedication to analog production also enhances the album’s sensory appeal. By using analog equipment, Younge captures the raw textures that were a staple in MPB and Tropicália, giving the album a tactile, lived-in feel. For Linear Labs: São Paulo, Younge leaned heavily into live percussion and strings, favoring real instruments over synthesized sounds. This commitment to authenticity extends to the album’s structure, with each track designed to flow into the next, creating a seamless listening experience that transports the listener through São Paulo’s sonic and cultural landscape.

A Deeply Personal Project

Younge has always been an artist who delves into the connections between music, identity, and culture. This project is particularly close to his heart as it represents his own journey of artistic discovery and homage to a city whose music has inspired his work over the years. São Paulo’s eclectic sounds and styles, rooted in African, Indigenous, and European influences, have informed many aspects of his compositions, making Linear Labs: São Paulo both a tribute and an exploration of new musical terrain.

Tracklist and Themes

Each song on the album serves as a chapter in a broader narrative about cultural exchange, love, and self-discovery. The album’s tracks follow a natural progression, where themes of love, revolution, identity, and unity intertwine. The Brazilian balladry of “Nossa Cor” is contrasted with the Middle Eastern mystique of Liraz’s contribution, the jazz sophistication of ALA.NI, and the soul-stirring performances from Bilal. The cumulative effect of these collaborations is an album that feels global in scope yet rooted in the spirit of São Paulo.

In crafting Linear Labs: São Paulo, Younge also weaves in themes of social justice and resilience. These themes resonate with the cultural roots of Brazilian music, which has historically been a voice for the marginalized and a call for social change. By uniting artists from different cultural backgrounds, Younge’s album underscores the universality of music as a unifying force, a sentiment that feels particularly relevant in today’s divisive times.

A New Landmark in Younge’s Career

Linear Labs: São Paulo solidifies Adrian Younge’s reputation as a visionary artist who refuses to be confined by genre. His ability to blend diverse musical traditions into a cohesive, sonically rich album speaks to his talent as a producer and his commitment to honoring the cultural significance of music. The album is a testament to Younge’s belief in music’s power to transcend boundaries, an idea that lies at the heart of Linear Labs: São Paulo.

A Celebration of Collaboration and Innovation

With Linear Labs: São Paulo, Adrian Younge has crafted a soulful, layered, and deeply immersive album that pays tribute to Brazilian music while pushing it into new, unexpected territories. Fans of Younge’s previous work will recognize his signature touch, but they will also discover something new: a deeper exploration of Brazilian sounds through a global lens, infused with Younge’s passion for analog production and his dedication to cross-cultural collaboration.

For jazz aficionados, soul lovers, and fans of global music alike, Linear Labs: São Paulo promises to be one of the most compelling albums of the year. 

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