And that´s what Ingfried Hoffmann & Band were trying to achieve. Their menu is strictly soul food: blues, gospel, soul and all the musical connotations that magnify the musical ability of black artists are apparent in a twelve-course meal, turning the listeners "on" with unique renditions of classic tunes and adding own compositions to the total colour of the instrumental album. "Why Don`t You Play The Organ, Man" and "Hang `Em high" were immediately pulled off the original Lp for DJs and consequently released on 7 inches in the UK, having a great impact in the Northern Soul scene until today. The corresponsing original Lp was released on the German Sunset label only and is changing hands for hundreds today.
Composer and arranger Ingfried Hoffmann is a true creative genius and musical talent, always learning and growing in order to remain relevant to the complex and rapidly changing musical scene. Born in Stettin in 1935 and first of all playing Piano, he was already performing to audiences at the age of ten. Ingfried soon interrupted his studies of classical music and philosophy for playing jazz in various formations. After redording his first hammond jazz Lp with René Thomas, Helmut Kandlberger and Klaus Weiss in 1963, he soon became the organist of the internationally famous Klaus Doldinger Quartet and worked with jazz stars like Attila Zoller or Lucky Thompson on numerous outstanding productions. The man was also chosen for "best jazz pianist and organ player" in Germany and even toured with his own band "steel organ", a name that he often used for his beloved Hammond B3.
Later on, Ingfried Hoffmann resigned from the organ scene in purpose of composing and arranging for the mass media, expressing his ability for the merging of different musical worlds within countless soundtrack productions, still working very successfully in Cologne until today. Is there an explanation for the musical versatility of Ingfried Hoffmann? "it`s the curiosity for experiencing the world and myself, staying interested in new tasks and realizing the necessity to leave secure paths in order to grow and search for the musical unusualness." This man`s really got soul... (Sonorama 12/05 / Thanks to Ingfried Hoffmann)