Opener ‘Hello Alone’ makes for an inviting call, a shared solitude, if you will, that’s at the root of the art experience. But the next song, ‘Speak to Me’, makes it clear that no one should limit Winston in terms of expectations, the all-vocal beat-boxed tour de force showing one of his many facets, with more to come. The snappy ‘Happiness’ offers soulful yearning, ‘She Went Quietly’ is a searching piano ballad (inspired by a heart-wrenching tale of separation involving his great aunt and, to lesser though crucial extent, the movie Million Dollar Baby). ‘Until You’re Satisfied’ is ‘80s-referencing pop-funk celebrating Winston’s Prince fandom. ‘Lift Me Gently’ is a stand out track for Peter Gabriel – “An amazing song, and possibly the best Charlie has ever written….”. ‘Wild Ones’ is charging blues-rock, ‘Rockin’ in the Suburbs’ is all vibrant energy … and that’s just part of the picture. Not a surprise given that Winston also, with natural ease, refers to such diverse inspirations as Nick Cave, Steve Reich and Jacques Brel (and T.S. Eliot, Wim Wenders and Ingmar Bergman, for that matter) in discussing the album.
“It’s near impossible for me to write in one style only,” says singer/songwriter Charlie Winston. “And today in my generation of songwriting, there’s a bit of a lack for me. People have forgotten the power of song, since the technology swept through, and how it carries. Coming from parents who are songwriters, that’s my No. 1 thing, really.”